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Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)
Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)

This is a painting of rather mediocre quality for which the artists drew on several ricordi from the stock at the family bottega. To cite an example, the horse and pair of dogs on the right specifical [+]

Earthly Paradise
Oil on copperplate. Ca. 1626
Brueghel el Joven, Pieter (Copy After Brueghel The Elder, Jan (Jan 'velvet' Brueghel))
Earthly Paradise
Oil on copperplate. Ca. 1626
Brueghel el Joven, Pieter (Copy After Brueghel The Elder, Jan (Jan 'velvet' Brueghel))

En esta obra el pintor pone en escena una multitud de aves cantoras. Éstas se posan en las ramas de un árbol que, en acusada diagonal, separa la llanura del bosque; recurso típico de las composiciones [+]

The Four Parts of the World
Oil on copperplate. 1660
Kessel el Viejo, Jan Van
The Four Parts of the World
Oil on copperplate. 1660
Kessel el Viejo, Jan Van

The Four Parts of the World, that is, the continents known at that time -Europe, Asia, Africa and America -became a very popular subject, as it was totally in keeping with that period’s interest in sc [+]

Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de
Dead Turkey
Oil on canvas. 1808 - 1812
Goya y Lucientes, Francisco de

This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no re [+]

Abundance
Oil on copperplate. Ca. 1625
Brueghel el Joven, Jan
Abundance
Oil on copperplate. Ca. 1625
Brueghel el Joven, Jan

This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hen [+]

Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)
Noah after the Flood
Oil on canvas. Second half of the XVI century
Anonymous (Workshop Of Bassano)

If we compare this painting with the Animals Entering the Ark (P22), we find that the iconographic elements which identify the subject have been shifted to a middle plane -Noah thanking God for bringi [+]

Taste, Hearing and Touch
Oil on unlined canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Taste, Hearing and Touch
Oil on unlined canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

The dinner guests occupying the center of the composition symbolize the senses. Music and the singing children are hearing, and the young woman petting a mink is touch. The young woman preparing to ea [+]

Diogenes searching for a Man
Oil on canvas. 1645 - 1655
Castiglione, Giovanni Benedetto
Diogenes searching for a Man
Oil on canvas. 1645 - 1655
Castiglione, Giovanni Benedetto

An inquiring and original artist, as well as an extraordinary draughtsman, Giovanni Benedetto Castiglione travelled throughout much of Italy (besides his native Genoa, he worked in Rome, Mantua, Venic [+]

The Animals entering Noah’s Ark
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte)
The Animals entering Noah’s Ark
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte)

This painting is Jacopo´s first depiction of the passage from Genesis 6:20 and the only one in which the theme is treated separately rather than as part of a series depicting the story of Noah. Jacopo [+]

A Larder
Oil on canvas. XVII century
Boel, Peeter
A Larder
Oil on canvas. XVII century
Boel, Peeter

Boel probably trained with Frans Snyders and Jan Fyt in Antwerp, the city where he worked for most of his life. He also spent time in Italy and Paris, where he painted for Louis XIV. The man depicted [+]

God reprimanding Adam
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte); Bassano, Francesco
God reprimanding Adam
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte); Bassano, Francesco

It is surprising that such a significant passage was seldom represented pictorially, whereas there are many examples of the moment immediately after the expulsion from Paradise. Neither was it a frequ [+]

The Recognition of Phililpoemen
Oil on canvas. Ca. 1609
Rubens, Peter Paul; Snyders, Frans
The Recognition of Phililpoemen
Oil on canvas. Ca. 1609
Rubens, Peter Paul; Snyders, Frans

According to Plutarch, Philopoemen, a strategist and general of the Aequian League that fought against Sparta, visited the city of Megara. Because of his unassuming, humble appearance, the lady of the [+]

Vase in the shape of a cockerel
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1610
Workshop Of The Sarachi
Vase in the shape of a cockerel
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1610
Workshop Of The Sarachi

A zoomorphic vessel representing a bird with spread wings. It is made up of eight pieces of rock crystal joined by silver gilt mounts with overlays of gold enamelled in opaque white and black, togethe [+]

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