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Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
The sitter is presented more than three-quarter length, looking directly at the viewer. He stands in a room with a curtain on the right and an end wall with a pilaster. On the table behind him are a s [+]
The figure’s rough clothing, the activity in which he is engaged and his books indicate an intellectual from the classical world. His identity has been debated. Previously thought to be Aesop or Arist [+]
Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the [+]
The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]
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On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
Sketches for the pendentives of the dome of the collegiate church at La Granja (Segovia). With this decoration Bayeu continued the project begun by Giambattista Tiepolo, who died in 1770, imbuing the [+]
Born to an Austrian Catholic family, Juan Everardo Nithard (Falkenstein, 1607-Rome, 1681)became a Jesuit. His solid grounding in theology led Emperor Ferdinand III to appoint him confessor to his chil [+]
Large series of paintings for religious orders were painted throughout the seventeenth century. They include free-standing figures of saints and scenes with more complex compositions. That is the case [+]
Moneychangers were controversial figures in early modern Antwerp and often associated with greed and usury. However, this painting may emphasize honesty and morality since it shows the moneychanger ca [+]
In this painting, two men wearing tunics kneel next to a rocky crag, past which, in the distance, a stormy landscape opens up. The elder of the two men bends over a sheaf of papers on which he writes, [+]
On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]
Seated at a table, the two characters count money with greedy expressions. The moneychanger wears bourgeois clothing, with fur cuffs and collar and a strange hat with a pendant. The woman wears a red [+]
Esta obra es parte de la serie de seis tablas con escenas de monos del Museo Nacional del Prado (P01805 a la P01810). El temario arranca del repertorio de Pieter Brueghel el Viejo y meter Van der Borg [+]
Saint Jerome is depicted meditating on the Last Judgment, as indicated by the print in the book, which reproduces a model by Albrecht Dürer. He is surrounded by various vanitas, such as the skull [+]
Together with its pair (P-8153), this canvas is an interesting example of Cano’s early work when he was working in Seville and favoured a naturalist style. Until 2013 the Prado’s collection did not in [+]
