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The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted version of the same composition, from the School of Veronese, is in the Ellen Clarke Bertrand Library, Bucknell University, Lewisburg. The Lewisburg picture corresponds in all essentials to the design

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading to the priest, who, surrounded by the women of the temple, embraced and blessed her.The episode is contained in the Gospel of James and in the Golden Legend (c.1250). Since the 1960s this drawing has

The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé Esteban Murillo. Esta estampa se entregaba con el cuadernillo CLXXXI acompañado de un texto explicativo de Pedro de Madrazo. Está encuadernada en el tomo III de la serie dirigida por José de Madrazo,

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé Esteban Murillo. Esta estampa se entregaba con el cuadernillo CLXXXI acompañado de un texto explicativo de Pedro de Madrazo. Está encuadernada en el tomo III de la serie dirigida por José de Madrazo,

Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé Esteban Murillo. Esta estampa se entregaba con el cuadernillo CLXXXI acompañado de un texto explicativo de Pedro de Madrazo. Iba encuadernada en el tomo III de la serie dirigida por José de Madrazo, C

Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé Esteban Murillo. Esta estampa se entregaba con el cuadernillo CLXXXI acompañado de un texto explicativo de Pedro de Madrazo. Iba encuadernada en el tomo III de la serie dirigida por José de Madrazo, C

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