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Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano
Friar begging
Pencil, Watercolour on white paper. 1862 - 1867
Fortuny, Mariano

Fortuny was particularly interested in the human types who were part of Rome’s urban landscape. Prominent among them were these Capuchin friars dressed in the characteristic brown tunic and long cloak [+]

The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))
The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))

Although no precisely corresponding composition by Titian appears to exist, many of the elements of the design may be found in his early painting of the Madonna and Child with St. John the Baptist and [+]

The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]

The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni
The Youthful Christ Leaving the Temple after his Dispute with the Doctors; Accompanied by the Virgin Mary and St. Joseph
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on grey paper. First third of the XVII century
Balducci, Giovanni

Philip Pouncey was the first to propose the attribution to Balducci. The drawing was presumably made late in the artist´s career, after the painter had settled in Naples. [+]

The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)
The Birth of the Virgin
Pencil, Pencil ground, Grey-brown wash, White lead on tinted paper. First half of the XVI century
Bagnacavallo (Attributed To)

A former owner of this impressive drawing believed it to be from the hand of the Bolognese painter Bartolomeo Bagnacavallo, who, according to Vasari, travelled to Rome together with Biagio Pupini (act [+]

Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)
Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)

While in their collections, Brun´s (?) and Fernández Durán seem to have maintained the traditional attribution to Campi. In a note on the modern museum mount, Anna Forlani suggested the [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino
August and the sybil
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
India, Bernardino

Traditionally attributed to Nicolò dell´Abate (c. 1512-1571). In the elegantly classical arrangement of the composition, the drawing shows knowledge of the work of Giuseppe Porta, called Salvia [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous
Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous

La Virgen desmayada es sostenida por San Juan, mientras la Magdalena (?), sujeta el cuerpo de Cristo, apoyado en el regazo de María. A la derecha las Marías restantes, sollozando.A pesar de la vieja a [+]

Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

The fantastic creature in the present sheet resembles those appearing as crests of helmets in some ornamental suits of armor manufactured in Northern Italy in the middle of the sixteenth century, part [+]

Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to the Sienese Francesco Vanni (1563-1610), this drawing was subsequently placed in the collection as the work of the eighteenth-century Roman painter Pompeo Batoni (1708-1787 [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo
Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo

Since this drawing was believed in the past to be a work of Michelangelo (1475-1564), it was clearly much revered by at least two of its previous owners, Céan Bermudez adn Brun (?), in spite of [+]

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