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Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban
Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban

The young saint sits on the ground, embracing a lamb and holding the cane cross in his left hand. This work is directly related to the painting that belonged to the Duke of Westminster. Mayer (1926) c [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

Group of Figures / Studies of a Young Woman Reclinig on the Ground, Holding an Urn
Pencil, Grey-brown ink on paper. First half of the XVI century
Perino del Vaga
Group of Figures / Studies of a Young Woman Reclinig on the Ground, Holding an Urn
Pencil, Grey-brown ink on paper. First half of the XVI century
Perino del Vaga

According to Elena Parma (Mantua, 2001, p. 296), the figure studies on the recto were perhaps made in relation to the planning of a masque, or a similar theatrical production. According to her interpr [+]

Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)
Elijah visited by the angel
Pencil, Grey-brown ink, Pencil strokes, Wash on dark yellow laid paper. Second half of the XVI century
Calvaert, Denys (Attributed To)

The wall decoration for which this design was intended was presumably over an altar dedicated to the Eucharist. The Old Testament story of Elijah visited by an angel was a prolepsis for the Eucharist. [+]

The Virgin seated with the Christ Child in her lap
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Virgin seated with the Christ Child in her lap
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The psychology of the group, with the Virgin bending her face down to kiss the Christ Child´s breast, and the cradling of his left foot in her left hand, are deftly conveyed by the minimum of means. T [+]

Martyrdom of St. Judas Taddeus
Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1585
Poccetti, Bernardino Barbatelli
Martyrdom of St. Judas Taddeus
Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1585
Poccetti, Bernardino Barbatelli

Poccetti was one of the leading Florentine painters of the early seventeenth century. Largely thanks to his youthful association with the group of painters around Santi di Tito, Poccetti soon began to [+]

Mars and Apollo / Mars and Apollo, alternative design
Pencil, Grey-brown ink, Wash on paper. 1566 - 1569
Il Bergamasco
Mars and Apollo / Mars and Apollo, alternative design
Pencil, Grey-brown ink, Wash on paper. 1566 - 1569
Il Bergamasco

In ancient mythology, Mars -the god of War- and Apollo -the god of the Sun, who is associated with omniscient powers of reasoning- come together as a result of Apollo´s discovery of the affair b [+]

Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso
Cristo flagelado, recogiendo sus vestiduras
Pencil ground, Ink, Grey-brown wash on green paper. 1645 - 1650
Cano, Alonso

Nude, Christ leans over to the right while holding his tunic. The whipping post and whips are visible in the background to the left. This is a preparatory work for the canvas at the Academy of San Fer [+]

The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso
The Virgin and Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. XVII century
Cano, Alonso

Vemos a la Virgen en una longitud de tres cuartos, vuelta ligeramente hacia la izquierda y sosteniendo al Niño Jesús. Un velo le cubre parte de la cabeza, y los pliegues voluminosos de esta misma pren [+]

Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Dibujo en el que se representa a la santa en pie, de frente, con las manos juntas, sosteniendo una cruz y con los pies sobre el dragón. Sigue la tradición escurialense, imitación de Zuccaro y Cambiaso [+]

Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso
Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso

El dibujo corresponde al periodo de madurez del pintor, en el que acumulaba ya toda su larga experiencia y conocimientos como dibujante, como se desprende del inteligente uso de las aguadas, es decir, [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

Young Saint John and the Christ Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1666 - 1667
Cano, Alonso
Young Saint John and the Christ Child
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. 1666 - 1667
Cano, Alonso

Kneeling at the left, with his left arm around the lamb, young Saint John raises his eyes to the nude Christ Child standing at his side. The scene is presented in a heart-shaped cartouche. This is a p [+]

Saint John the Evangelist in Patmos
Pencil, Pencil ground, Ink, Grey-brown wash on yellow laid paper. 1635 - 1645
Cano, Alonso
Saint John the Evangelist in Patmos
Pencil, Pencil ground, Ink, Grey-brown wash on yellow laid paper. 1635 - 1645
Cano, Alonso

Este dibujo presenta a San Juan en la madurez (se le puede representar en la juventud o en la vejez). Esta sentado a la izquierda, posiblemente sobre las raíces de un árbol, sujetando una tablilla par [+]

The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on dark yellow paper. XVI century
Anonymous
The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on dark yellow paper. XVI century
Anonymous

En la parte superior, la Virgen, sentada de frente con las manos juntas, rodeada de resplandores y de ángeles niños. En la parte inferior, los Apóstoles en pie o arrodillados, se agrupan en torno al s [+]

Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio
Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio

Dibujo en el que se representa al santo atado a un tronco, con la cabeza alzada. De estilo muy próximo a Cajés, será suyo o de discípulo muy inmediato. (Texto extractado de Pérez Sánchez, A. E., Catál [+]

The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))
The Virgin and Child in a Landscape, with St. John the Baptist and St. Paul
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Lefevre, Valentin (Copy After Titian (Tiziano Vecellio))

Although no precisely corresponding composition by Titian appears to exist, many of the elements of the design may be found in his early painting of the Madonna and Child with St. John the Baptist and [+]

The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]

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