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Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous
Gaius Fabricius Luscinus Refusing Gifts from Pyrrhus
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on paper. XVI century
Anonymous

This drawing is after the one of the scenes painted by Polidoro between the windows of second floor of the Palazzo Milesi, Rome. [+]

The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous
The Coronation of the Virgin
Pencil ground, Grey-brown ink, Wash on brown paper. Late XVI century
Anonymous

Inspired by a composition of Palma Giovane (c. 1548-1628) or another Venetian painter of the period. [+]

The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The Virgin and Child appearing to Sts. Peter and Augustine, with God-the-Father in the Heavens
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Standing woman clothed in classical dress
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous
Saint Margaret
Pencil ground, Ink, Grey-brown wash on yellow paper. Late XVI century
Anonymous

Dibujo en el que se representa a la santa en pie, de frente, con las manos juntas, sosteniendo una cruz y con los pies sobre el dragón. Sigue la tradición escurialense, imitación de Zuccaro y Cambiaso [+]

Studies for the Head and Body of a Warrior
Pencil, Pencil ground, Grey-brown ink on yellow paper. Early XVI century
Anonymous
Studies for the Head and Body of a Warrior
Pencil, Pencil ground, Grey-brown ink on yellow paper. Early XVI century
Anonymous

The attribution to Parmigianino and the price of Lire 4 on the reverse of the old backing are in the hand of the so-called Italian Supplier. These two feeble studies seem however to have nothing to do [+]

Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous
Adoration of the Kings
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on wallpaper, yellow laid paper. XVI century
Anonymous

Formerly placed as Martin de Vos, the composition and figure types point rather to the work of Calvaert. [+]

Pomona and Apollo ?
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XIX century
Anonymous
Pomona and Apollo ?
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XIX century
Anonymous

Placed in the collection as French School, nineteenth century. In a note on the modern museum mount, Sylvie Béguin has pointed out that this drawing is a fragment of a copy after the left-hand [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Second half of the XVII century
Anonymous

El santo es representado de más de medio cuerpo, sentado ante una cruz de madera con la mirada alzada y el libro y la calavera bajo su mano derecha. Seguramente sevillano recordando tipos y actitudes [+]

Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous
Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous
Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous

The original drawing recorded in this copy was probably intended as a design for maiolica. The subject may be Artaxerxes pointing to the head of Cyrus. [+]

A man and a woman seated within a threfoil, each holding an open book in their lap
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
A man and a woman seated within a threfoil, each holding an open book in their lap
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous
Virgin and Child, with the Infant St. John the Baptist, accompanied by three standing saints and a kneeling donor
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous

Attributed to Palma Il Giovane (ca. 1548-1628), the drawing has little or nothing to do with this author, although in Turner´s opinion, there are several stylistic features that evoke Boscoli&ac [+]

The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Last third of the XVII century
Anonymous
The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on yellow laid paper. Last third of the XVII century
Anonymous

En la parte superior, la Virgen, sentada sobre una nube es conducida al cielo por dos ángeles mancebos, entre vuelo de ángeles niños. En la parte inferior, los Apóstoles en torno al sepulcro vacio: un [+]

Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous
Allegory of a royal marriage / A king seated at a table, with a young woman
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper. Second half of the XVI century
Anonymous

Traditionally attributed to Federico Zuccaro (1540/1-1609). In a pencil note on the modern museum matte, J. A. Gere dismissed this possibility. In Turner´s opinion, there is something in the han [+]

Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous
Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous

In a nineteenth-century inscription and in further annotations on the reverse, the drawing is given to the Sienese Domenico Beccafumi (1484-1551). In 1980, in a pencil note on the mount, Anna Forlani [+]

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