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Standing Nude Man
Pencil, Pencil ground, Grey-brown ink on dark toned paper. XVI century
Passerotti, Bartolomeo
Standing Nude Man
Pencil, Pencil ground, Grey-brown ink on dark toned paper. XVI century
Passerotti, Bartolomeo

Past collectors commonly mistook Passerotti’s academic studies from the nude for the work of the Florentine Bandinelli (1493-1560). The handling of this drawing is after him in this technique in the M [+]

Old Woman Seated in a Chair
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Passerotti, Bartolomeo
Old Woman Seated in a Chair
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Passerotti, Bartolomeo

Inscribed in the lower left corner in brown ink: Michelangiolo Fior. fec. In spite of the old attribution, the drawing was rightly placed in Fernández Durán collection, on his mount, as: [+]

Holy Family, Accompanied by an Angel and Two Saints
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Passerotti, Bartolomeo
Holy Family, Accompanied by an Angel and Two Saints
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Passerotti, Bartolomeo

The invention and handling are in fact typical of Passerotti’s more rapidly drawn sketches. Compared with the better-known, finished pen studies, such as Male Head (D1781), his pen line here seems all [+]

The Good Thief, Copied from Michelangelo's Last Judgement
Pencil, Pencil ground, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo
The Good Thief, Copied from Michelangelo's Last Judgement
Pencil, Pencil ground, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo

In Michelangelo´s Last Judgement (see D1733 and D1732), the Good Thief appears at the far right, on the same level as Christ himself, and is one of the most conspicuous figures in this great, mu [+]

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