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Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio
Saint Michael Archangel
Brush, Pencil strokes, Grey-brown wash on dark yellow paper. Ca. 1725
Gionima, Antonio

La figura en pie en el centro lleva en la mano una espada flameante, y en la izquierda, el escudo; en la parte baja, las figuras de los demonios, desnudos y contorsionados, ofrecen resistencia al arcá [+]

Bacchus
Pencil, Pencil strokes on yellow laid paper. Late XVII century
Conchillos y Falcó, Juan
Bacchus
Pencil, Pencil strokes on yellow laid paper. Late XVII century
Conchillos y Falcó, Juan

Dibujo en el que se representa al dios Baco sentado, acodado en el brazo derecho, que sostiene el torso, alza la izquierda con una copa.Con una técnica muy sumaria, se relaciona con otros también atri [+]

Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to the Sienese Francesco Vanni (1563-1610), this drawing was subsequently placed in the collection as the work of the eighteenth-century Roman painter Pompeo Batoni (1708-1787 [+]

Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia
Temperance, Hope, Wisdom and Chastity
Pencil, Pencil strokes, Grey-brown wash, White lead on brown paper. 1669 - 1671
Baciccia

The Genoese painter Giovanni Battista Gaulli, known as Baciccio, arrived in Rome in 1657, escaping the plague that had devastated his native city and his family. According to his biographer Lione Pasc [+]

God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca
God commanding Abraham to sacrifice
Black chalk, Grey-brown wash on white paper. 1694 - 1696
Giordano, Luca

The drawing is in effect one of many by the Neapolitan painter Luca Giordano executed during the course of his decade-long activity in Spain. The corresponding painting, from which this study differs [+]

Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista
Saint John the Evangelist
Pencil, Pencil strokes, Grey-brown wash on white paper. 1769
Tiepolo, Giovanni Battista

Traditionally, this work was considered a preparatory sketch for the frescoes on the dome of the collegiate church at La Granja. In 1768 Charles III initiated the decoration of that church, and its do [+]

Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos is one of twenty-six pen-and-ink drawings known as The Dreams, which constitute the basis for Los Caprichos. They are headed by Dre [+]

Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco
Saint Anthony of Padua
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. XVII century
Ribalta, Francisco

Es uno de los escasos dibujos conservados de Francisco Ribalta y obra importante para el conocimiento de su estilo. [+]

Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)
Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)

Inscribed in brown ink on a strip of paper pasted at the bottom of the sheet: CHERUBINUS ALBERTIUS PICTOR ET ARCHITEC. FECIT QUI VIX AN. LXIII. DEC. MDCXV. The eighteenth-century inscription written o [+]

Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Didn’t you know what you were carrying on your back?
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

The last part of Album C -drawings 119 through 131- consists of a group of images that present clergy of both sexes with a degree of irony emphasized by the titles that Goya wrote on each page. Critic [+]

Saint Paul
Grey wash, Pencil strokes on dark yellow paper. XVIII century
Fontebasso, Francesco
Saint Paul
Grey wash, Pencil strokes on dark yellow paper. XVIII century
Fontebasso, Francesco

San Pablo, de medio cuerpo y de espaldas, vuelve su cabeza hacia el espectador. Sostiene en sus manos la espada y el libro. Éste (D01374) junto a otros tres dibujos, (D01371, D01372 y D01373) son cuat [+]

The Sacrifice of Iphigenia
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. Mid-XVIIIcentury
Anonymous (Manner Of Fratta, Domenico Maria)
The Sacrifice of Iphigenia
Pencil, Pencil strokes, Grey-brown wash on dark yellow paper. Mid-XVIIIcentury
Anonymous (Manner Of Fratta, Domenico Maria)

La escena enmarcada en una franja semicircular, como para decoración de un abanico. En el centro, el ara llameante, tras ella el anciano Agamenón alza el cuchillo para sacrificar a la joven; a ambos l [+]

He hangs it up in a rage
Brush, Bistre, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
He hangs it up in a rage
Brush, Bistre, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

This work is an example of Goya’s last group of drawings, in which he shows monks and nuns removing their habits following their secularization -voluntary or forced. The drawing is a literal represent [+]

The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous
The Holy Family with Angels
Pencil, Pencil strokes, Grey-brown wash on white paper. Early XVIII century
Anonymous

En la parte baja, San José sentado sobre un sepulcro, sostiene al niño Jesús sobre sus rodillas; ante el dos ángeles le muestran una corona de espinas y el paño de la Verónica. Al fondo, la Virgen. En [+]

The Mass of Saint Gregory
Pencil, Pencil strokes, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado
The Mass of Saint Gregory
Pencil, Pencil strokes, Grey-brown wash on white paper. XVIII century
Giaquinto, Corrado

A la derecha, elevado sobre las gradas, el altar, ante el que San Gregorio muestra a los fieles los corporales; a su alrededor, arrodillados, acólitos y monaguillos; a la izquierda, el pueblo arrodill [+]

Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]

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