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Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de
The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de

In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]

Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara
Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín
La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín

This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]

Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

Mountain Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de
Mountain Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de

This work shows a setting on the outskirts of the town of Jaraba, bordering the province of Guadalajara at the southeastern edge of the province of Zaragoza in the Mesa River Cañon between Jara [+]

Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)
Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)

The drawings in this Album were in the possession of Valentín Carderera, who made these two copies of originals whose whereabouts are unknown. The naked young woman, similar to others in the Al [+]

The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter and Engraver José Zanetti
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de José María Zanetti, oriundo de Zaragoza y activo en Roma hacia 1817, donde se encontraba pensionado por Carlos Miguel, XIV duque de Alba, tomando clases en la Academia de San Lucas. Así lo [+]

Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)
Two figures lifting an Urn; and male head
Black chalk, White lead, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)

The group appears between a pair of columns on the right of Taddeo´s fresco of the "Last Supper" in the church of S. Maria della Consolazione, Rome. [+]

The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus
The Assumption of the Virgin
Pencil, Grey wash, Grey-brown ink on dark yellow paper. Mid-XVIIIcentury
Kuntz, Thaddëus

En la parte inferior los apóstoles se agrupan alrededor del sepulcro vacío de la Virgen, uno arrodillado en primer término alza la cabeza y otro tras él extiende los brazos. En la parte superior la Vi [+]

The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous
The Crucifixion
Pencil, Grey-brown wash on yellow paper. Early XVII century
Anonymous

En el dibujo se representa a Cristo desnudo, sentado sobre la Cruz. Un sayón en primer término cava el suelo; otro barrena en uno de los brazos. A la derecha un grupo de soldados, a la izquierda las M [+]

Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous (Copy Vasari, Giorgio)
Saints Luke and John
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous (Copy Vasari, Giorgio)

In a nineteenth-century inscription and in further annotations on the reverse, the drawing is given to the Sienese Domenico Beccafumi (1484-1551). In 1980, in a pencil note on the mount, Anna Forlani [+]

The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)
The Virgin and Child with Saints
Black chalk on dark yellow paper. XVII century
Quaini, Luigi (Attributed To)

El dibujo presenta a la derecha, sobre un pedestal, la Virgen con el Niño; en primer término, de espaldas, una figura femenina con una cruz, y a la izquierda, arrodillados, adorando a la Virgen, una d [+]

Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio
Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio

Dibujo en el que se representa al santo atado a un tronco, con la cabeza alzada. De estilo muy próximo a Cajés, será suyo o de discípulo muy inmediato. (Texto extractado de Pérez Sánchez, A. E., Catál [+]

Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous
Christ crucified
Black chalk, White chalk on grey paper. XVIII century
Anonymous

Dibujo de un Cristo crucificado muy torpe y desproporcionado, como estudio de principiante. De técnica derivada de la de Bayeu. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

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