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The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de
The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de

In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]

Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Saint Laurence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Laurence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

The Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de
The Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de

This work shows a setting on the outskirts of the town of Jaraba, bordering the province of Guadalajara at the southeastern edge of the province of Zaragoza in the Mesa River Cañon between Jara [+]

The Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
The Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín
La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín

This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]

Fantasy on Faust
Oil on canvas. 1866
Fortuny y Marsal, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny y Marsal, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

Still Life with flowers, a silver-gilt goblet, almonds, dried fruit, sweetmeats, bread sticks, wine and a pewter pitcher
Oil on panel. 1611
Peeters, Clara
Still Life with flowers, a silver-gilt goblet, almonds, dried fruit, sweetmeats, bread sticks, wine and a pewter pitcher
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

Ecce Homo
Black chalk on yellow paper. XVIII century
González Ruiz, Antonio
Ecce Homo
Black chalk on yellow paper. XVIII century
González Ruiz, Antonio

Estudio en el que se representa un Ecce Homo, desnudo hasta la cintura, sostiene la caña con la mano izquierda. Según Angulo (papeletas manuscritas en el archivo del Museo) tuvo la firma de González R [+]

Studies of Heads
Pencil, Grey ink on brown paper. Early XVI century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)
Studies of Heads
Pencil, Grey ink on brown paper. Early XVI century
Anonymous (Circle Of Parmigianino. Girolamo Francesco Maria Mazzola)

In a note on the modern museum matte, Sylvie Béguin suggested that the drawing could be after Parmigianino (1980). The types are indeed Parmigianinesque but they may instead reflect the work of [+]

Allegory of Time and Truth
Pencil, Grey-brown wash on laid paper. 1646 - 1647
Baciccia
Allegory of Time and Truth
Pencil, Grey-brown wash on laid paper. 1646 - 1647
Baciccia

The centuries-old reference to Gian Lorenzo Bernini, seen on the support of this drawing, was first accepted by Alfonso E. Pérez Sánchez, who identified the work as a preliminary study r [+]

The Rape of Europa
Pencil, Grey-brown wash on dark yellow paper. XVII century
Mola, Pier Francesco
The Rape of Europa
Pencil, Grey-brown wash on dark yellow paper. XVII century
Mola, Pier Francesco

En primer término y ante un fondo de paisaje, Europa sentada sobre un toro, llevado por un amorcillo; detrás varias ninfas y en la parte superior tres pequeños cupidos. El dibujo lleva una atribución [+]

Landscape
Pencil, Grey-brown ink on dark yellow paper. XVII century
Bazzicaluva, Ercole
Landscape
Pencil, Grey-brown ink on dark yellow paper. XVII century
Bazzicaluva, Ercole

Bazzicaluya, dibujante y grabador, sus dibujos de paisaje, de trazo delicado y nervioso e interesado por los efectos atmosféricos, tienen un eco evidente de la obra gráfica del francés Callot o del fl [+]

The young Saint John the Baptist in the Desert
Black chalk, Brush, Grey-brown ink on dark yellow paper. XVII century
Sirani, Elisabetta
The young Saint John the Baptist in the Desert
Black chalk, Brush, Grey-brown ink on dark yellow paper. XVII century
Sirani, Elisabetta

Dibujo que representa a San Juan Bautista niño sentado, de perfil hacia la izquierda y la cabeza dirigida al espectador. Atribuido de antiguo a la artista, es dibujo representativo de su estimo mas co [+]

Evangelist standing in a niche
Pencil, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo (Attributed To)
Evangelist standing in a niche
Pencil, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo (Attributed To)

[+]

The Painter Pelegrín Clavé
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de
The Painter Pelegrín Clavé
Pencil on dark yellow paper. 1842
Madrazo y Kuntz, Federico de

Retrato de Pelegrín Clavé (Barcelona, 1811- Barcelona, 1880), pintor de historia cuyo talento, como ocurrió con otros contemporáneos, le valió que en 1835 fuera pensionado por la Junta de Comercio de [+]

The Sculptor Antonio Solá
Pencil on paper. 1842
Madrazo y Kuntz, Federico de
The Sculptor Antonio Solá
Pencil on paper. 1842
Madrazo y Kuntz, Federico de

Retrato de Antonio Solá, figura sobresaliente de la escultura neoclásica española, marchó a Roma en 1802 pensionado por la Junta de Comercio de Barcelona para completar su educación artística. Una vez [+]

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