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Fantasy on Faust
Oil on canvas. 1866
Fortuny y Marsal, Mariano
Fantasy on Faust
Oil on canvas. 1866
Fortuny y Marsal, Mariano

In this work, Fortuny establishes an eloquent link between painting and music and a clear exposition of what his friend, the Baron Davillier, called his very lively and very pure taste in music. Fortu [+]

The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de
The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de

In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]

Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Pietà
Oil on panel. 1565 - 1570
Morales, Luis de
Pietà
Oil on panel. 1565 - 1570
Morales, Luis de

Large-format versions of the Virgin holding the dead body of Christ, like those at Badajoz Cathedral and at the Real Academia de Bellas Artes de San Fernando, gave way in Morales’s oeuvre to smaller c [+]

Saint Laurence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Laurence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

The Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de
The Pass (Jaraba de Aragón)
Oil on canvas. Ca. 1872
Haes, Carlos de

This work shows a setting on the outskirts of the town of Jaraba, bordering the province of Guadalajara at the southeastern edge of the province of Zaragoza in the Mesa River Cañon between Jara [+]

The Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
The Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Still life with Flowers, Gilt Goblet, Dried Fruits, Sweets, Biscuits, Wine and a Pewter Flagon
Oil on panel. 1611
Peeters, Clara
Still life with Flowers, Gilt Goblet, Dried Fruits, Sweets, Biscuits, Wine and a Pewter Flagon
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín
La Torre de las Damas in the Alhambra, Granada
Oil on canvas. 1871
Rico y Ortega, Martín

This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]

The Birth of Saint John the Baptist
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Barroso, Miguel
The Birth of Saint John the Baptist
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Barroso, Miguel

Dibujo en el que se representa en primer término, a la izquierda, a tres mujeres que sostienen al Bautista recién nacido. A la derecha, Zacarías escribe el nombre de San Juan, atendido por otros dos p [+]

Saint Anthony Abbot
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Cincinato, Romolo
Saint Anthony Abbot
Pencil, Grey-brown wash on yellow laid paper. Second half of the XVI century
Cincinato, Romolo

El Santo aparece representado en pie, dentro de en una hornacina, sosteniendo un báculo con la mano derecha y un libro en la izquierda; a sus pies, como símbolo parlante, el cerdo y un brasero encendi [+]

The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)
The Immaculate Conception
Pencil, Grey-brown wash on yellow paper. 1630 - 1640
Cano, Alonso (?)

The Virgin appears full length, standing on the crescent moon and held by three cherubs. Her hands are joined and her head is gently tilted to the right. Wethey does not consider this a work by Cano, [+]

Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco
Saint Michael
Pencil, Grey-brown wash on yellow paper. XVII century
Camilo, Francisco

El Arcángel aparece representado armado, con casco emplumado, con la espada flamígera en la mano derecha y sosteniendo una filacteria con su lema (QVIS VT DEVS = Quién como Dios) en la izquierda, mien [+]

Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban
Saint John the Baptist as a Child
Black chalk on yellow laid paper. XVII century
Murillo, Bartolomé Esteban

The young saint sits on the ground, embracing a lamb and holding the cane cross in his left hand. This work is directly related to the painting that belonged to the Duke of Westminster. Mayer (1926) c [+]

Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco
Theatre set
Pencil, Grey wash on dark yellow paper. Early XVIII century
Galli Da Bibiena, Francesco

The son of painter Giovanni Maria Galli da Bibiena and brother of Ferdinando Galli da Bibiena, Francesco was raised in a family of artists and took an early interest in architecture and set design. He [+]

The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous
The Adoration of the Magi
Black chalk, Pencil, Grey-brown wash on white paper. 1600 - 1625
Anonymous

Dibujo en el que se representa el tema de la Adoración de los Reyes Magos. Es obra de principios del siglo XVII. (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VI. Dibujos italianos del s [+]

The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria
The Incredulity of Saint Thomas
Black chalk, Touches of white chalk on brown paper. XVIII century
Bigari, Vittorio Maria

A la derecha, Cristo, semidesnudo, muestra la herida del pecho; a su izquierda, inclinado, Santo Tomás introduce en ella su mano; los apóstoles aparecen al fondo en semicírculo. Presenta el estilo car [+]

The Virgin and Child
Pencil on dark yellow paper. XVII century
Anonymous (Circle Of Baciccia)
The Virgin and Child
Pencil on dark yellow paper. XVII century
Anonymous (Circle Of Baciccia)

Este dibujo y D00745 llevan en el reverso una atribución antigua a Bacciccia, que no se puede aceptar desde el punto de vista estilístico, aunque es posible relacionarlos, tal vez, con el círculo de s [+]

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