The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
5 results
Concepción Remisa
Oil on canvas. 1856
Madrazo y Kuntz, Federico de
Concepción Remisa
Oil on canvas. 1856
Madrazo y Kuntz, Federico de

Concepción Remisa de Moret was the wife of Segismundo Moret y Quintana, a famous nineteenth-century Spanish writer, politician and landowner whose portrait -also by Madrazo- is in the Prado Mus [+]

Sabina Seupham Spalding
Oil on canvas. 1846
Madrazo y Kuntz, Federico de
Sabina Seupham Spalding
Oil on canvas. 1846
Madrazo y Kuntz, Federico de

This portrait of the wife of the banker Henry O’Shea reveals the British influence on Madrazo’s fully romantic period. Her social position is indicated by the quality of the fabrics, laces and jewels, [+]

María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This young aristocrat, portrayed in three-quarter length, stands posed before the viewer wearing a magnificent black satin and velvet dress trimmed with lace and ribbons, a close-fitting bodice and a [+]

Isabel Álvarez Montes, 2nd Marchioness of Valderas and 2nd Duchess of Castro Enríquez
Oil on canvas. 1868
Madrazo y Kuntz, Federico de
Isabel Álvarez Montes, 2nd Marchioness of Valderas and 2nd Duchess of Castro Enríquez
Oil on canvas. 1868
Madrazo y Kuntz, Federico de

The numerous formal portraits painted by Federico over the course of his career -large-format works generally intended to hang in the capacious homes of Elizabethan aristocrats- include some of his mo [+]

Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de
Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de

Madrazo interprets the elegance and refinement of the French painter Jean-Auguste-Dominique Ingres with a personality of his own, especially in the sitter’s pose. The handling of the textiles - notabl [+]

Up