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Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola
Pietro Maria Rossi, Count of San Secondo
Oil on panel. 1535 - 1538
Parmigianino. Girolamo Francesco Maria Mazzola

Educated as a young man in France and Florence, in 1527 Pier Maria Rossi (1504-1547), Seventh Count of San Secondo, was in the service of Clement VII but that same year entered the employment of Charl [+]

Perseus and Andromeda
Oil on canvas. 1639 - 1640
Rubens, Peter Paul; Jordaens, Jacques
Perseus and Andromeda
Oil on canvas. 1639 - 1640
Rubens, Peter Paul; Jordaens, Jacques

As punishment for the vanity of Cassiopeia, who thought herself more beautiful than the Neriads, Poseidon, god of the seas, sent a monster to the kingdom of Ethiopia. Its fury could only be detained i [+]

Hercules on the Pyre
Oil on canvas. 1697 - 1700
Giordano, Luca
Hercules on the Pyre
Oil on canvas. 1697 - 1700
Giordano, Luca

Representa la escena en la que Hércules está en la pira sobre la piel del león de Nemea. Filoctetes, amigo y compañero de Hércules, en la parte inferior del lienzo procede a prender fuego a la pira po [+]

Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)
Venus and Adonis
Oil on canvas. 1554
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554), versions of other previous works, but endowed with all the prestige of the co [+]

Perseus with the Head of Medusa
Oil on canvas. 1699 - 1702
Giordano, Luca -Painter- (And Workshop)
Perseus with the Head of Medusa
Oil on canvas. 1699 - 1702
Giordano, Luca -Painter- (And Workshop)

Fineo, tío de Andrómeda y su prometido, irrumpió en el banquete previo a la boda de esta con Perseo. Iniciada la lucha, Perseo utilizó la cabeza de Medusa para convertir en piedra a Fineo (Ovidio, Met [+]

Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y
Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y

Chained to a boulder, Andromeda occupies the left side of the composition, while the right opens onto a seascape from which a monster emerges to threaten the mythological heroine. This episode is from [+]

Perseus Turning Phineus and his Warriors into Stone
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1537
Perino del Vaga
Perseus Turning Phineus and his Warriors into Stone
Pencil, Pencil ground, Grey-brown ink on yellow paper. Ca. 1537
Perino del Vaga

In a note on the mount, Michael Hirst observed that this is Perino del Vaga´s copy after one of the figure groups in Polidoro da Caravaggio´s now destroyed fresco, painted on the facade of [+]

Emperor Carlos V and the Fury
Bronze. 1551 - 1555
Leoni, Leone; Leoni, Pompeo
Emperor Carlos V and the Fury
Bronze. 1551 - 1555
Leoni, Leone; Leoni, Pompeo

In 1549 in Brussels Charles V commissioned Leone Leoni to execute a group of statues of himself and his deceased wife the Empress Elizabeth of Portugal.They were to be in different formats (bust and h [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII e i [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII aco [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII e i [+]

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