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The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
The Surrender of Breda
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

On June 5, 1625 the Dutch governor of Breda, Justinus van Nassau, surrendered the keys of that city to Ambrosio Spínola, the Genoese general commanding the Spanish tercios (a group of soldiers [+]

The Young Naturalists
Oil on canvas. 1893
Jiménez Aranda, José
The Young Naturalists
Oil on canvas. 1893
Jiménez Aranda, José

Jiménez Aranda spent the 1880s in France where he encountered the naturalistic style of Jules Bastien-Lepage (1848-1884), and a subsequent period in Madrid where his work influenced Joaqu&iacut [+]

Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano
Exterior of Saint Peter’s, Rome
Oil on canvas. Ca. 1636
Codazzi, Viviano

This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca
The Assumption of the Virgin
Oil on canvas. Ca. 1698
Giordano, Luca

En el plano superior aparece la Virgen sentada sobre una nube sostenida por ángeles; abajo y en sombra, ángeles músicos. El artista señala la existencia de planos a través del color y del detalle, más [+]

The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der
The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der

The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]

Fête in a Park
Oil on canvas. 1712 - 1713
Watteau, Jean-Antoine
Fête in a Park
Oil on canvas. 1712 - 1713
Watteau, Jean-Antoine

With his characteristic lyricism, Watteau captures the charm of a relaxed moment in which a group of people are gallantly presented in a garden. The predominant feeling is one of evanescence, resultin [+]

Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de
Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de

Flower paintings were one of the most popular forms of still lifes in Spain as their attractive and varied appearance allowed for infinite combinations of different forms of plant life that could in t [+]

Perspective of a Gymnasium
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano
Perspective of a Gymnasium
Oil on canvas. Ca. 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano

This is one of four depictions of spectacles from ancient Rome that Domenico Gargiulo and Viviano Codazzi painted for the large History of Rome series at the Buen Retiro Palace. Of those four, in whic [+]

The Queen of Sheba and Salomon
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
The Queen of Sheba and Salomon
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

This is one of seven canvases (P00386, P00388, P00389, P00393, P00394, P00395, P00396) in a group linked by the same color scheme, a general accentuation of surface drawing and a rhythm of curved form [+]

View of the “Ponte Rotto” in Rome
Salt paper, Albumen on photographic paper. Ca. 1850
Caneva, Giacomo -Photographer- (Attributed To)
View of the “Ponte Rotto” in Rome
Salt paper, Albumen on photographic paper. Ca. 1850
Caneva, Giacomo -Photographer- (Attributed To)

The group of works on paper belonging to the Madrazo family, which the Museo del Prado acquired in 2006, includes an extraordinary collection of photographs. Most are calotypes by the Circle of Photog [+]

Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio
Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio

The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Ga [+]

Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio
Study for an Ecce Homo
Pencil, Grey-brown ink on yellow paper. Third quarter of the XVI century
Gambara, Lattanzio

The authorship of these two small but lively compositional studies -D1817 and D1818- has given rise to some disagreement. The most recent suggestion that they are the work of the Brescian Lattanzio Ga [+]

A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano
A Street in the Albaicín. Granada
Pencil, Pencil, Grey-brown ink, Wash on yellow paper. 1871 - 1872
Fortuny, Mariano

This drawing shows Fortuny’s fondness for the architecture and winding alleyways of the Albaicín, one of Granada’s landmark districts. The narrowness of the streets provided the painter with an [+]

The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro
The Badminton Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro

Corals, pearls, shells, fruit and flowers are arranged on the table with wide Lapis-lazuli borders. The central scene has a light chalcedony background framed by a garland with an asymmetrical rocaill [+]

Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro
Console Table
Gilt-bronze, Chalcedony, Paragone, Lapis lazuli. 1775 - 1780
Real Laboratorio de Piedras Duras del Buen Retiro

Two men play skittles among Roman ruins in a setting that recalls Venetian view paintings or vedute. The scene is framed by a border with fruit, musical and scientific instruments, books and a tray wi [+]

The Ball Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro
The Ball Game, console
Gilt-bronze, Chalcedony, Lapis lazuli. 1782 - 1788
Real Laboratorio de Piedras Duras del Buen Retiro

The table bears shells, fruit and flowers over ample lapis-lazuli borders. The central scene has a light chalcedony background and is framed by a garland with an asymmetrical rocaille. The scene of ba [+]

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