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The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
The deposition of Christ
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

The sheet is pasted down onto an early nineteenth-century French mount, with the border colored in light green and pink. A number of drawings of this composition, or close variants, are known. This is [+]

Christ Healing the Son of the Widow of Nain
Pencil, Pencil ground, Grey-brown ink, Pink wash, Yellow wash on yellow paper. Second half of the XVI century
Anonymous
Christ Healing the Son of the Widow of Nain
Pencil, Pencil ground, Grey-brown ink, Pink wash, Yellow wash on yellow paper. Second half of the XVI century
Anonymous

In a pencil note on the old mount, M. Hofstede suggested the drawing could be a study for Federico Zuccari´s altarpiece of this subject, which he painted in 1568 for the Cathedral at Orvierto. In a su [+]

Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de
Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

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