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The Birth of the Virgin
Oil on panel. Ca. 1528
Benson, Ambrosius
The Birth of the Virgin
Oil on panel. Ca. 1528
Benson, Ambrosius

[+]

The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)
The High Priest Aaron
Oil on panel. 1545 - 1550
Juanes, Juan de (Vicente Juan Masip)

Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

The Presentation of Jesus in the Temple
Oil on canvas. Ca. 1670
Rizi, Francisco
The Presentation of Jesus in the Temple
Oil on canvas. Ca. 1670
Rizi, Francisco

These two canvases (The Adoration of the Magi, P1129 and The Presentation of Jesus in the Temple, P1130) were part of a small altar piece in the convent of Los Angéles in Madrid, a work that al [+]

The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan
The Crucifixion
Mixed method on panel. Ca. 1460
Sánchez, Juan

This painter from Burgos represents the transition from the international Gothic style in which he was formed to the hispano-flemish style, whose models he adapts with his personal manner. The three f [+]

Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Saint Bernard and the Virgin
Oil on canvas. 1645 - 1652
Cano, Alonso
Saint Bernard and the Virgin
Oil on canvas. 1645 - 1652
Cano, Alonso

This scene from the life of Saint Bernard (twelfth century), depicts the moment when the saint received a stream of milk from a statue of the Virgin and Child, on the altar. A Cardinal watches the mir [+]

Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)
Saint Peter
Oil on panel. 1536 - 1538
Juanes, Juan de (Vicente Juan Masip)

This work´s existence and interest were noticed by Valencian specialist and director of that city´s Museum of Fine Arts, Fernando Benito Domenech. That museum´s Juan de Juanes exhibition in 2000 inclu [+]

Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Saint Francis of Assisi
Oil on panel. 1515 - 1525
Yáñez de la Almedina, Fernando
Saint Francis of Assisi
Oil on panel. 1515 - 1525
Yáñez de la Almedina, Fernando

This panel and its pair Saint Onuphrius (P07947), must originally have formed part of a more complex structure probably produced during the artist’s last years in Valencia or his first years in Cuenca [+]

Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de
Adoration of the Shepherds
Oil on panel. Ca. 1539
San Leocadio, Felipe Pablo de

The present Adoration of the Shepherds has been identified with the main part of an altarpiece made for Valencian silk maker Jacobo Perpinya. That altarpiece is topped by a representation of the Incar [+]

Saint Peter the Martyr praying
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Peter the Martyr praying
Oil on panel. 1493 - 1499
Berruguete, Pedro

Falsely accused of witchcraft, the Saint, kneeling and elevated from the floor, complains before the image of Christ about having to suffer for him in spite of being innocent. The crucified Christ rep [+]

The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Pentecost
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Saint Damian
Oil on panel. Ca. 1510
Yáñez de la Almedina, Fernando
Saint Damian
Oil on panel. Ca. 1510
Yáñez de la Almedina, Fernando

Depicted more than half-length, the Saint wears a flesh-colored tunic and blue robes with a fur collar and lining and a black cap. The jar of salve in his left hand alludes to his role as a holy docto [+]

Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

The painting, which comes from the church of Santa María in Ejea de los Caballeros (Zaragoza), is made up of five panels. The central panel represents the Resurrection. On either side of it are [+]

Mary Magdalene
Oil on canvas. 1616
Tristán, Luis
Mary Magdalene
Oil on canvas. 1616
Tristán, Luis

This delicate female figure has been identified as Mary Magdalene before Christ on the cross. The work formed part of the altar piece of the parish church of Yepes (Toledo), together with Saint Monica [+]

The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan
The Resurrection of Christ
Tempera on pine panel. Second third of the XVI century
Correa de Vivar, Juan

Christ returned to life, triumphant alongside the sarcophagus that held his body for three days after his death on Golgotha, was a frequent subject in Correa´s work. The retable for the convent of the [+]

Saint John the Evangelist on Patmos
Oil on canvas. Ca. 1620
Orrente, Pedro de
Saint John the Evangelist on Patmos
Oil on canvas. Ca. 1620
Orrente, Pedro de

This canvas is a good example of the numerous influences that acted on Orrente’s style. They include his Venetian training, evident in his approach to the landscape in this painting, and unmistakable [+]

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