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When describing the work of this prolific painter of still lifes, it is frequently said that Luis Meléndez included only commonplace objects in his canvases; this painting, in fact, offers the [+]
This highly original still life presents various oysters in the fore and middle grounds—a relatively infrequent element in Meléndez’s paintings. The foreground is completed by some cloves of ga [+]
On a table partially covered by a green tablecloth, the painter has placed a white cloth, delicate gold-worked jars and glasses that reflect the light, a dish with ham, bread and a large basket of pea [+]
With the owners or house servants away, the animals sneak into the larder, giving free rein to their instincts. This leads to a fight. Scenes of animal fights in domestic settings were customary in mi [+]
Luis Meléndez distinguished himself as the greatest bodegón, or still-life, painter in late eighteenth-century Spain. By this time, the popularity of the genre had declined in Spain and [+]
A high surface acts as a sort of altar bearing an image of the Virgin and Child with Saint Joseph behind them. Saint John the Evangelist and Saint Ildephonsus stand at a lower level in front, flanking [+]
Some limes, laid out with the artist's habitual disorder, occupy almost half the canvas. Behind them, a honey pot of the popular green-glazed type from Biar or Lucena shows the painter's eye for detai [+]
Se ve un plato, del tipo “castañuela”, de borde historiado -siguiendo un diseño popular- que posiblemente posea un origen talaverano; ejerce el papel de recipiente desbordado por las ciruelas, algunas [+]
A member of a leading family of Madrid painters, Juan Rizi entered the Benedictine Order. Most of his worksdepict subjects related to the Order such as its saints and illustrious members. This canvas [+]
Herod and Herodias appear at the right of the composition. Sitting at a table painted in foreshortened perspective, they look on—the king with a stupefied expression—as Salome presents them with the p [+]
On his deathbed, Saint Bernard is visited by the Virgin Mary, who places her right hand on his chest. She is accompanied by Saint Laurence and Saint Benedict. Two Bernadine Monks witness the scene fro [+]
This canvas depicts the moment when Christ blesses the bread and institutes the Sacrament of the Eucharist. The figures resemble those of El Greco, Tristán’s first master, but the colour and pr [+]
Fortuny’s predilection for beautifully colored and very carefully painted panels is perfectly exemplified by the present work, which reveals his mastery of tableautin, a type of painting that garnered [+]
Various vessels of different materials, shapes and uses rest on a wooden surface that could be a table or a shelf. From left to right they are: a pewter plate holding a complex and refined goblet, pro [+]
This work portrays the well-known New Testament parable (Luke, 15: 11-32) illustrating the repentance of the sinner and the virtues of forgiveness. The pretext for the setting is the banquet given by [+]
This complex and convincing composition painted from a frontal perspective appears to be divided into two well-connected halves. In the lower half, which is nearer the viewer, the artist has placed a [+]
A still life with peaches and pears on a pewter plate. Arellano is known fundamentally as an excellent flower painter, although his workshop is known to have produced paintings with other subjects, es [+]
In a room open to a landscape is a table with various foodstuffs, along with metalwork, dishes and even a pipe. The placement of numerous objects on a broad wooden surface is customary in works by Jan [+]
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