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Still Life with Box of Jelly, Bread, Salver with Glass and Cooler
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Box of Jelly, Bread, Salver with Glass and Cooler
Oil on canvas. 1770
Meléndez, Luis Egidio

Meléndez’s works are characterized by his interest in familiar, everyday realities, which he places in the immediate foreground as if seeking direct contact with the viewer. And yet, in the con [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso
The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso

Technical studies carried out at the Museo del Prado confirm Alonso Cano as the author of this Virgin of the Star, which belongs to the Museo del Prado but has been on loan to the Museo del Bellas Art [+]

Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish Golden Age and moralising texts from the En [+]

Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 40, Of what illness will he die? In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish G [+]

Lion
Gilt-bronze. 1651
Bonuccelli, Matteo
Lion
Gilt-bronze. 1651
Bonuccelli, Matteo

The table O00448 is supported by four bronze lions (O02942, O02943), three of them commissioned by Velazquez in Italy in 1651. The fourth lion of this table is a bronze copy made in 2004 to replace th [+]

Lion
Gilt-bronze. 1651
Bonuccelli, Matteo
Lion
Gilt-bronze. 1651
Bonuccelli, Matteo

The table O00448 is supported by four bronze lions (O02942, O02943), three of them commissioned by Velazquez in Italy in 1651. The fourth lion of this table is a bronze copy made in 2004 to replace th [+]

Lion
Gilt-bronze. 1651
Bonuccelli, Matteo
Lion
Gilt-bronze. 1651
Bonuccelli, Matteo

The table O00448 is supported by four bronze lions (O02942, O02943), three of them commissioned by Velazquez in Italy in 1651. The fourth lion of this table is a bronze copy made in 2004 to replace th [+]

Tabletop of don Rodrigo Calderon
African marble, White marble, Polychrome marble, Paragone, Lapis lazuli, Alabaster. Ca. 1600
Roman Sculptor
Tabletop of don Rodrigo Calderon
African marble, White marble, Polychrome marble, Paragone, Lapis lazuli, Alabaster. Ca. 1600
Roman Sculptor

This tabletop belonged to Rodrigo Calderon, secretary to Philip III, who seems to have acquired it by somewhat unethical means. Its decoration of military motifs suggests that it is related to the vic [+]

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