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Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del
Francisco Fernández de Córdoba y Mendoza
Oil on panel. 1520 - 1521
Rincón, Fernando del

Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]

Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous
Coffered Ceiling
Polychromed, Carved. Ca. 1400
Anonymous

The principal beams are decorated with secular scenes, including dances, jousts or men fighting monsters, and with the coats-of-arms of Castile and León and those of the Luna and Rojas families [+]

Portable oratory with the penitent Saint Jerome
Polychromed, Carved, Gilded. Ca. 1520
Juanes, Juan de (Vicente Juan Masip); Forment, Damián
Portable oratory with the penitent Saint Jerome
Polychromed, Carved, Gilded. Ca. 1520
Juanes, Juan de (Vicente Juan Masip); Forment, Damián

Este oratorio portátil es una pieza excepcional que aúna dos delicados trabajos de Damián Forment y Juan de Juanes, figuras fundamentales del Renacimiento en la Corona de Aragón. La representación cen [+]

Saint Anne, the Virgin and the Christ Child
Wood. XIV century
Anonymous
Saint Anne, the Virgin and the Christ Child
Wood. XIV century
Anonymous

Representación del grupo de Santa Ana, la Virgen y el Niño, también denominado Santa Ana Triple, iconografía surgida del interés por la genealogía terrena de Cristo en época medieval. Lo habitual es l [+]

Nero and Seneca
Plaster. 1904
Barrón González, Eduardo
Nero and Seneca
Plaster. 1904
Barrón González, Eduardo

Nero and Seneca was awarded a first-prize medal at the National Fine Arts exhibition in Madrid in 1904. Barrón never produced a final version of it, in bronze or marble, making this preparatory [+]

Dante in Thought
Bronze. 1908
Suñol y Pujol, Jerónimo
Dante in Thought
Bronze. 1908
Suñol y Pujol, Jerónimo

Renaissance sculptors, is generally considered Suñol’s masterpiece. It offers a realistic portrayal of Dante wearing the laurel wreath of fame and immortality, and holding a book in reference t [+]

Enthroned Virgin and Child
Wood. XIV century
Anonymous
Enthroned Virgin and Child
Wood. XIV century
Anonymous

La Virgen viste túnica holgada, adornada en el escote con un broche circular y sujeta a la cintura por un ceñidor de correa con su correspondiente hebilla; cubierta por manto de cuerda cuyo fiador for [+]

The Virgin enthroned with the Christ Child
Alabaster. 1490 - 1500
Siloé, Gil de
The Virgin enthroned with the Christ Child
Alabaster. 1490 - 1500
Siloé, Gil de

This exceptionally fine sculpture is almost identical to the Virgin of the Choir from the Charterhouse of Miraflores (Burgos). The Virgin enthroned and crowned as Queen of Heaven appears as the new Ev [+]

Enthroned Virgin and Child
Wood. Last third of the XIII century
Anonymous
Enthroned Virgin and Child
Wood. Last third of the XIII century
Anonymous

Virgen entronizada, de un tipo evolucionado dentro de las esculturas en madera de vírgenes castellanas. Corresponde al tipo de Niño sentado sobre la rodilla izquierda de la Virgen, colocando los pies [+]

The Virgin and Child
Wood. 1480 - 1490
Anonymous
The Virgin and Child
Wood. 1480 - 1490
Anonymous

Obra flamenca de hacia 1480-90, de estilo muy próximo al del anónimo maestro del retablo de Covarrubias, cuyos modelos y técnica son idénticos, según Salas (1978). En cambio, A. Franco (1997) no desca [+]

Pandora
Wood. 1600 - 1610
el Greco (Domenikos Theotokopoulos) (Attributed To)
Pandora
Wood. 1600 - 1610
el Greco (Domenikos Theotokopoulos) (Attributed To)

These two works (E00937, E00483), which are exceptional examples of Spanish Renaissance art show El Greco´s knowledge of classical sculpture. Pandora was a beautiful woman made from clay by Hephaestus [+]

Epimetheus
Wood. 1600 - 1610
el Greco (Domenikos Theotokopoulos) (Attributed To)
Epimetheus
Wood. 1600 - 1610
el Greco (Domenikos Theotokopoulos) (Attributed To)

These two works (E00483, E00937), which are exceptional examples of Spanish Renaissance art show El Greco´s knowledge of classical sculpture. Pandora was a beautiful woman made from clay by Hephaestus [+]

Enthroned Virgin
Wood. Late XII century
Anonymous
Enthroned Virgin
Wood. Late XII century
Anonymous

Fragmento de una Virgen sedente, del tipo frecuente en Cataluña en los siglos XII y XIII. En origen era una Virgen entronizada que sostenía al Niño en sus rodillas. Según A. Franco (Escultura medieval [+]

Virgin of the Annunciation
Wood. XIV century
Anonymous
Virgin of the Annunciation
Wood. XIV century
Anonymous

La Virgen sostiene con la mano izquierda un libro cerrado, mientras levanta la derecha, que no se ha conservado. Según Angela Franco, aunque esta obra es del siglo XIV, responde a una fórmula iconográ [+]

Christ the Saviour
Wood. Ca. 1300
Anonymous
Christ the Saviour
Wood. Ca. 1300
Anonymous

Esta figura ha perdido el brazo derecho, aunque A. Franco (1997: 27) lo indentifica sin ninguna duda con la imagen de Cristo bendiciendo y sosteniendo el Libro de la Vida. Según la misma autora, corre [+]

Penitent Mary Magdalene
Wood. 1664
Mena, Pedro de
Penitent Mary Magdalene
Wood. 1664
Mena, Pedro de

Mary Magdalene contemplates a crucifix she holds in her left hand. Her right hand is on her bosom, indicating her love and devotion to Jesus Christ. Her narrow, expressive face, sad gaze and slightly [+]

Buddhist Idol, Vietnam
Wood. Early Finales del siglo XVII - XVIII century
Anonymous
Buddhist Idol, Vietnam
Wood. Early Finales del siglo XVII - XVIII century
Anonymous

Figura masculina representada de pie sobre una peana. Las manos juntas frente al pecho que reproducen el gesto de "anjali mudra", gesto asociado a la oración y que es la forma común de saludarse en va [+]

Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)
Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)

Free-standing wax sculpture was a particularly important genre in 18th-century Bologna and artists aimed to produce impressively lifelike, almost hyper-realist effects. In order to do so they used rea [+]

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