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Abundance and the Four Elements
Oil on panel. Ca. 1615
Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Abundance and the Four Elements
Oil on panel. Ca. 1615
Balen, Hendrick Van; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Abundance, personified by Ceres, goddess of fertility and agriculture, sits in front of a thicket of reeds at the edge of a forest. She has adorned her hair with wheat spikes -her attribute- and bears the horn of plenty under her left arm. Earth sits at her feet, offering her one of her fruits, she is personified by Flora, goddess of the earth and also of spring, which explains the flowers in her

The Dance. Folk Traditions from the Province of Soria
Oil on canvas. 1866
Domínguez Bécquer, Valeriano
The Dance. Folk Traditions from the Province of Soria
Oil on canvas. 1866
Domínguez Bécquer, Valeriano

In 1865 the Government of Isabel II commissioned Valeriano Domínguez Bécquer to capture the customs and costumes of Spain´s provinces. This work is part of that project whose anthropological bent was very much in keeping with the Romantic mentality. It shows one of the traditional dances from the province of Soria. This work entered the Prado Museum in 1878 from the now-defunct Museu

Abundance
Oil on copperplate. Ca. 1625
Brueghel The Younger, Jan
Abundance
Oil on copperplate. Ca. 1625
Brueghel The Younger, Jan

This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hendrick van Balen, among others, also made such works, often in collaboration. Here, fertility is represented by a six-breasted figure at the center of the composition. She bears a horn of plenty and is

A Larder
Oil on canvas. 1642
Utrecht, Adriaen Van
A Larder
Oil on canvas. 1642
Utrecht, Adriaen Van

Adriaen van Utrecht was a leading still-life painter in Antwerp, producing paintings characterised by their large size and opulent content, works that are also striking for their compositions and pictorial technique. Paintings of this type reflected the wealth and cosmopolitan culture of their owners.

Market and Washing Place in Flanders
Oil on canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de
Market and Washing Place in Flanders
Oil on canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de

This excellent example of the collaboration between Brueghel and Momper depicts simple rural life in Flanders, joining the genre of landscape painting with that of everyday life. The groups of figures were made by Brueghel, while Momper painted the landscape, with his characteric violet tonalities in the background. Here, Momper abandons his broad panoramas in favor of a more realistic perspective

Abundance and the Four Elements
Oil on panel. XVII century
Brueghel The Younger, Jan
Abundance and the Four Elements
Oil on panel. XVII century
Brueghel The Younger, Jan

A veteran telling his adventures
Oil on canvas. Ca. 1840
Alenza, Leonardo
A veteran telling his adventures
Oil on canvas. Ca. 1840
Alenza, Leonardo

A group of people surround a standing man who gesticulates, appearing to tell a story. Alenza painted numerous small-format scenes of customs depicting the least-advantaged social classes. As in this work, they reveal the influence of Goya, and of works in the Prado by David Teniers (1610 - 1690).

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