The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
33 results
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de
The Crucifixion
Oil on panel. 1509 - 1519
Flandes, Juan de

Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]

Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente
Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente

This wedding portrait by Vicente López depicts Ferdinand VII’s fourth and final wife, his niece Maria Cristina. All three of his previous spouses, María Antonia of Bourbon (1784-1806), M [+]

Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

Mary Tudor, Queen of England, Second Wife of Philip II
Oil on panel. 1554
Mor, Anthonis
Mary Tudor, Queen of England, Second Wife of Philip II
Oil on panel. 1554
Mor, Anthonis

In 1604 in his biography of Mor, Karel van Mander referred to the artist’s trip to London in 1554, where he was sent on the orders of Charles V to paint Mary Tudor (1516–1558), and to the success of t [+]

Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This young aristocrat, portrayed in three-quarter length, stands posed before the viewer wearing a magnificent black satin and velvet dress trimmed with lace and ribbons, a close-fitting bodice and a [+]

Vanitas
Oil on canvas. 1662
Negri, Pietro
Vanitas
Oil on canvas. 1662
Negri, Pietro

This work entered the Museo del Prado in 1916 titled Penitent Magdalene, along with almost ninety other Italian, French, Flemish and Spanish works from the fifteenth to eighteenth centuries, nearly al [+]

Infanta Isabel Clara Eugenia
Oil on canvas. 1579
Sánchez Coello, Alonso
Infanta Isabel Clara Eugenia
Oil on canvas. 1579
Sánchez Coello, Alonso

The Infanta, Felipe II´s daughter, is portrayed at the age of thirteen. She stands with a distant and elegant gesture, in three-quarters, which was in keeping with a type of portraiture widely used am [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto; Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino
Sardonyx cup with eagle's head
Gold, Ruby, Diamond, Emerald, Ágata sardónice, Enamel. 323 A.C. - 321 a.C.
Belle, Josias (?); Hellenistic Workshop (?); Taller Parisino

The vessel, similar to O44, is formed by three fragments of agate and five enamelled gold mounts. The body is an ancient piece of stone with a broad gold mount on the edge decorated with an enamelled [+]

Square-footed jasper cup with cameos
Gold, Agate, Chalcedony, Cowry, Silver gilt, Ruby, Emerald, Jasper, Enamel. 1687 - 1689
Royel, Jean (?)
Square-footed jasper cup with cameos
Gold, Agate, Chalcedony, Cowry, Silver gilt, Ruby, Emerald, Jasper, Enamel. 1687 - 1689
Royel, Jean (?)

Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]

Vase in the shape of a dragon or caquesseitão
Rock crystal / hyaline quartz. 1550 - 1600
Workshop Of The Miseroni
Vase in the shape of a dragon or caquesseitão
Rock crystal / hyaline quartz. 1550 - 1600
Workshop Of The Miseroni

This fabulous animal is made of three pieces of rock crystal. The top piece is a horned head with monstrous features resting on a long arched neck similar to that of a swan. It is set into a pear-shap [+]

Gadrooned cup with an eagle’s head
Spinel, Gold, Silver gilt, Ruby, Serpentine, Diamond, Bloodstone, Enamel. 1600 - 1620
Anonymous; Workshop Of The Sarachi
Gadrooned cup with an eagle’s head
Spinel, Gold, Silver gilt, Ruby, Serpentine, Diamond, Bloodstone, Enamel. 1600 - 1620
Anonymous; Workshop Of The Sarachi

A vessel made up of five pieces, the body of serpentine and the rest of heliotrope. By means of a silver gilt volute and a circle of rubies and diamonds in the form of a collar, an eagle’s head has be [+]

Up