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The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

[+]

Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)
Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)

There seems little stylistic evidence to support the traditional attribution to Passignano. The drawing may be Cremonese, since there is some resemblance to the work of Giovanni Battista Trotti, calle [+]

Angels and Putti amongst Clouds
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Samacchini, Orazio
Angels and Putti amongst Clouds
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Samacchini, Orazio

The fine pen lines and carefully modulated passages of wash are characteristic of Samacchini´s highly disciplined, if not somewhat academic, style of drawing. A similar tightness of execution is found [+]

The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto
The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto

Se conoce una variante de la composición en un dibujo de Ribera, a sanguina, conservado en el Museo Británico. [+]

Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous
Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous

Although currently placed as anonymous Itlian seventeenth century, the style is clearly that of Titian´s following, possibly an artist working in the ambit of Domenico Campagnola (1500-1564). The exec [+]

Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)
Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)

The gaiety and liveliness of the figures, the pictorial choice of media and the drawing´s lightness of touch suggest the work of Cesare Pollini, a little-known Umbrian painter and draftsman. Compariso [+]

The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous
The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous

La Virgen semiarrodillada en una nube que sostiene cuatro ángeles mancebos, abre los brazos y alza la cabeza hacia el Padre Eterno, que aparece con los brazos abiertos en el ángulo superior derecho. A [+]

Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo
Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo

Although Parmigianinesque in style, the Prado drawing is clearly not of the same quality as Parmigianino´s undoubtedly authentic work. There are strong analogies in handling and technique with a numbe [+]

Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]

Roman emperor receiving and emissary
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo
Roman emperor receiving and emissary
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo

The old attribution is to Vasari (1511-1574). The style and figure types however seem wholly typical of the drawings of the Genoese painter and designer of engravings, Bernardo Castello. Similar figur [+]

Scene with cavalry
Pencil, Chalk ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Scene with cavalry
Pencil, Chalk ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

[+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

Wine Pitcher Carried Aloft by Three Satyrs / Woman Seated on the Ground
Pencil, Chalk ground, Grey ink, Grey-brown ink, Grey-brown wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo (Attributed To)
Wine Pitcher Carried Aloft by Three Satyrs / Woman Seated on the Ground
Pencil, Chalk ground, Grey ink, Grey-brown ink, Grey-brown wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo (Attributed To)

The design for the pitcher is both witty in its invention and impressive in its execution. It is perhaps the study on the verso (sadly cut down from a larger composition), which provides the stronger [+]

Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to Luca Cambiaso (1527-1585). In a note on the modern museum matte, Pouncey gave the drawing to the late sixteenth-century Roman painter Cesare Nebbia (ca. 1536-1614). In anot [+]

They make use of them
Pencil ground, Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
They make use of them
Pencil ground, Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 16, They make use of them.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Span [+]

Madonna and Child with six saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. XVI century
Moncalvo (Attributed To)
Madonna and Child with six saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. XVI century
Moncalvo (Attributed To)

The drawing style is in fact typical of that of Moncalvo and his studio. A large loss in the paper at the bottom and right has been made up and the missing parts of the composition drawn in. [+]

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