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Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Christ distributing bread to his Apostles
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

[+]

Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous (Follower Of Titian (Tiziano Vecellio))
Landscape with a Town in the Distance
Pencil, Pencil ground, Red chalk, Grey-brown ink on yellow paper. Late XVI century
Anonymous (Follower Of Titian (Tiziano Vecellio))

Although currently placed as anonymous Itlian seventeenth century, the style is clearly that of Titian´s following, possibly an artist working in the ambit of Domenico Campagnola (1500-1564). The exec [+]

The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous
The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous

La Virgen semiarrodillada en una nube que sostiene cuatro ángeles mancebos, abre los brazos y alza la cabeza hacia el Padre Eterno, que aparece con los brazos abiertos en el ángulo superior derecho. A [+]

Scene with cavalry
Pencil, Chalk ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Scene with cavalry
Pencil, Chalk ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

[+]

Seminude woman
Pencil, Chalk ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)
Seminude woman
Pencil, Chalk ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Anonymous (Copy Zuccaro, Taddeo)

As Sylvie Béguin has pointed out in a note on the mount (1980), this is a copy after a drawing by Taddeo Zuccaro in the Louvre. The Louvre drawing is a study for the circular fresco of Somnus i [+]

Charity
Chalk ground, Grey ink, Grey-brown ink, White lead, Wash on brown paper. Second half of the XVI century
Anonymous (Follower Of Samacchini, Orazio)
Charity
Chalk ground, Grey ink, Grey-brown ink, White lead, Wash on brown paper. Second half of the XVI century
Anonymous (Follower Of Samacchini, Orazio)

The drawing style is reminiscent of Paolo Farinati. [+]

Resurrection of Christ
Pencil, Chalk ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Pino, Marco Dal)
Resurrection of Christ
Pencil, Chalk ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Pino, Marco Dal)

The composition of this good drawing, seems inspired by the well known fresco of the subject by Marco Pino in the Oratorio del Gonfalone, Rome, now generally dated 1568-70. The drawing style is not Pi [+]

Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)
Putto Holding a Martyr´s Palm
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous (Circle Of Villamena, Francesco)

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. [+]

Saint Augustine Enthroned with Angelic Helpers
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous (Copy Pordenone)
Saint Augustine Enthroned with Angelic Helpers
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Anonymous (Copy Pordenone)

The Prado drawing is a good copy, probably datable from the mid-sixteenth century, after Pordenone´s fresco in the church of S. Maria di Campagna, Piacenza, painted in c. 1533-1535. [+]

Angels, Prophets and Saints in Heavenly Glory
Pencil ground, Red chalk on dark yellow paper. 1701 - 1750
Anonymous (Copy Correggio (Antonio Allegri))
Angels, Prophets and Saints in Heavenly Glory
Pencil ground, Red chalk on dark yellow paper. 1701 - 1750
Anonymous (Copy Correggio (Antonio Allegri))

In Brun´s (?) collection as École da Correggio. Copy of a Section of Corregio´s Assumption of the Virgin In the Cupola of Parma Cathedral. The style suggests that the copyist may have been an e [+]

Saint Peter Nolasco
Brush, Chalk ground, Grey-brown wash on yellow laid paper. XVII century
Anonymous
Saint Peter Nolasco
Brush, Chalk ground, Grey-brown wash on yellow laid paper. XVII century
Anonymous

Dibujo en el que se representa al Santo en pie, de frente, con hábito mercedario y cruz patriarcal. A sus pies arrodillado un cautivo liberado. Al fondo, a la izquierda, un navío. Probablemente valenc [+]

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