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The Glory of the Spirit
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Glory of the Spirit
Oil on canvas. Ca. 1778
Bayeu, Francisco

[+]

The Last Supper
Oil on canvas. Ca. 1794
Maella, Mariano Salvador
The Last Supper
Oil on canvas. Ca. 1794
Maella, Mariano Salvador

Preparatory sketch for a work possibly intended for the private chapel of the Infante Don Antonio Pascual in the Royal Palace of Aranjuez. The composition is very similar to the Last Supper in the Roy [+]

The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La disipación del hijo pródigo (P999) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integra [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

José Moñino y Redondo, 1st Count of Floridablanca
Oil on canvas. 1786
Martínez del Barranco, Bernardo
José Moñino y Redondo, 1st Count of Floridablanca
Oil on canvas. 1786
Martínez del Barranco, Bernardo

This is a preparatory sketch for a painting of much larger dimensions (present whereabouts unknown). It depicts the Count of Floridablanca (1728-1808), Charles III’s all-powerful minister, accompanied [+]

Fisherfolk
Oil on canvas. 1784
Maella, Mariano Salvador
Fisherfolk
Oil on canvas. 1784
Maella, Mariano Salvador

At a small Mediterranean harbour with a fortress in the background, a prosperous gentleman examines the fish a beautiful fisherwoman offers him, while an elderly woman seems to have greater expectatio [+]

The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco
The Attributes of the Virgin
Oil on canvas. Ca. 1778
Bayeu, Francisco

These are sketches for the frescoes adorning the main altar of the chapel in the Palace of Aranjuez. The brilliant, highly detailed technique reveals the lingering influence of the Italian, Corrado Gi [+]

Feliciana Bayeu, the Painter's Daughter
Oil on canvas. 1787
Bayeu, Francisco
Feliciana Bayeu, the Painter's Daughter
Oil on canvas. 1787
Bayeu, Francisco

Francisco Bayeu worked as a court painter to Charles III from 1767; by 1787 -the date of this small portrait- he had produced a considerable number of decorations for the royal palaces and important c [+]

The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul
The Death of Hyacinth
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Apollo helplessly contemplates the death throes of his beloved Hyacinth, who was hit by one of the discs the two were throwing in a display of their athletic skills. This is one of the preparatory ske [+]

Gladiators at a Banquet
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano
Gladiators at a Banquet
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); The Allocuti [+]

The Ascension of the Lord
Oil on canvas. 1769
Bayeu, Francisco
The Ascension of the Lord
Oil on canvas. 1769
Bayeu, Francisco

This composition with an arched top appears here in a preparatory sketch for the corresponding canvas of the Ascension that forms part, along with the Annunciation, the Nativity and Pentecost, of a se [+]

The Allocution of a Roman Emperor
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano
The Allocution of a Roman Emperor
Oil on canvas. Ca. 1638
Lanfranco, Giovanni Di Stefano

Giovanni Lanfranco painted at least six works that can be related to the commission to decorate the Buen Retiro Palace. The first five are at the Museo del Prado -Auspices in Rome (P236); The Allocuti [+]

Thirteen Sketches for Tapestry Cartoons
Oil on canvas. Ca. 1786
Bayeu, Francisco
Thirteen Sketches for Tapestry Cartoons
Oil on canvas. Ca. 1786
Bayeu, Francisco

The present work consists of thirteen small sketches for tapestry cartoons which were painted by Francisco’s brother, Ramón Bayeu. It may have been produced more as a record of the compositions [+]

The Surrender of Granada
Oil on canvas. Ca. 1763
Bayeu, Francisco
The Surrender of Granada
Oil on canvas. Ca. 1763
Bayeu, Francisco

Sketch for the fresco, The Surrender of Granada, at the old formal dining room in Madrid´s Royal Palace, from 1763. [+]

Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco
Adam and Eve reprimanded for their Sin
Oil on canvas. 1771
Bayeu, Francisco

Sketch for one of the eight segments of the dome of the collegiate church at La Granja, Segovia. These Old and New Testament scenes (destroyed in 1918) glorified the Holy Trinity. God reprimands Adam [+]

Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul
Deucalion and Pyrrha
Oil on panel. 1636 - 1637
Rubens, Peter Paul

Humanity´s rebirth after the flood is represented in Greek mythology through the story of Deucalion and Pyrrha. After surviving the disaster, they threw stones over their shoulders, each of which beca [+]

The Goddess Cybele offering her Produce to the Earth
Oil on canvas. 1798
Maella, Mariano Salvador
The Goddess Cybele offering her Produce to the Earth
Oil on canvas. 1798
Maella, Mariano Salvador

Sketch for the fresco adorning the ceiling of the Sala de Maria Luisa in the Casa del Labrador at Aranjuez. Beneath Flora in flight is the Earth goddess, Cybele, to whom some farmers pay their respect [+]

Female Nude, or After the Bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo
Female Nude, or After the Bath
Oil on canvas. Ca. 1869
Rosales Gallinas, Eduardo

Considered to be, with good reason, the most beautiful nude in nineteenth-century Spanish painting, this work provides eloquent testimony of the modernity that made Rosales stand out in the Spanish ar [+]

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