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Blind Man’s Buff
Oil on canvas. 1788
Goya y Lucientes, Francisco de
Blind Man’s Buff
Oil on canvas. 1788
Goya y Lucientes, Francisco de

A circle of ten Majos and Majas play blind man´s buff on the banks of what may be the Manzanares River. This work is the only sketch for the cartoon Goya painted for a series of playful and gay [+]

The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de
The Meadow of San Isidro
Oil on unlined canvas. 1788
Goya y Lucientes, Francisco de

Goya never actually painted the cartoon for this scene, which is one of his masterpieces, and the most popular of a series intended for the bedroom of the infantas in Madrid's El Pardo Palace. The pro [+]

Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Louis I, King of Etruria, Prince of Parma
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Ferdinand, Duke of Parma, and the Archduchess Maria Amalia of Lorraine, the sitter was born in Piacenza in 1773. In 1795 he married th [+]

Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Francisco de Paula
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Don Francisco de Paula (1794-1865) was the youngest child of María Luisa and popularly rumoured to be the son of Manuel Godoy. In 1819 [+]

Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infanta Maria Josefa
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is one of ten preparatory sketches for The Family of Charles IV. Goya executed them in Aranjuez shortly after he was made First Court Painter. All make use of a reddish-orange ground. Daughter of [+]

The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de
The Immaculate Conception
Oil on canvas. 1783 - 1784
Goya y Lucientes, Francisco de

Goya breaks with Baroque tradition, interpreting this typified subject according to the new principles of Neoclassicism. The clothing no longer flies around the figure, but instead adapts to the body [+]

The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de

A drunken mason is carried off the building site by two of his companions, who cannot repress their smirks at the drunk´s situation: he lacks his trousers and his stockings have fallen down. Thi [+]

Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Antonio Pascual
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Brother of Charles IV, the sitter was born in Naples in 1755. In 1795 he married his niece, the Infanta María Amalia, who died without [+]

Infante Carlos María Isidro
Oil on canvas. 1800
Goya y Lucientes, Francisco de
Infante Carlos María Isidro
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This is a preparatory sketch for The Family of Charles IV. Son of Charles IV and María Luisa, the sitter was born in 1788. In 1816 he married María Francisca of Portugal, daughter of his [+]

The Hermitage of Saint Isidore on the Saint’s Feast Day
Oil on canvas. 1788
Goya y Lucientes, Francisco de
The Hermitage of Saint Isidore on the Saint’s Feast Day
Oil on canvas. 1788
Goya y Lucientes, Francisco de

During the fiesta of Saint Isidore, patron saint of Madrid, on 15 May, the city dwellers visit his hermitage to drink the water from a miraculous spring that, according to tradition, the saint caused [+]

The Taking of Christ
Oil on canvas. 1798
Goya y Lucientes, Francisco de
The Taking of Christ
Oil on canvas. 1798
Goya y Lucientes, Francisco de

This is a representation of the taking of Christ by Roman soldiers, a scene from the New Testament that marks the beginning of his Passion (Matthew 26, 45-46; Mark 14, 41-52; Luke 22, 45-54; John 18, [+]

Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de
Saints Justa and Rufina
Oil on cedar panel. 1817
Goya y Lucientes, Francisco de

The patron saints of Seville were potters. They were martyred for having refused to worship an image of the goddess, Venus. They are depicted with their clay pots, or alcazarras, and the palms of mart [+]

Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Group of Women Fleeing from Soldiers
Red chalk on cream laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was never engraved. Its composition -specifically, the central figure of a woman fleeing- led Gassier and Wilson to suggest that the drawing may [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos is one of twenty-six pen-and-ink drawings known as The Dreams, which constitute the basis for Los Caprichos. They are headed by Dre [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Strange Devotion!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Red chalk on cream laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 66, Strange Devotion! In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men i [+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

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