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Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio; Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio; Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín; Imprenta Real
The Spinners, or the Fable of Arachne
Taille douce: etching and engraving on laid paper. 1796
Muntaner y Moner, Francisco; Esteve, Agustín; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The calle de la Reina in Aranjuez
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León
The Apparition of the Virgin to Saint Bernard
Taille douce: etching and engraving on laid paper. 1791 - 1800
Muntaner y Moner, Francisco; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Thirty-six views of Mt. Fuji
Carving / a carved sculpture on paper. Ca. 1964
Hokusai, Katsushika (Copy); Takamizawa; Eijudo
The Thirty-six views of Mt. Fuji
Carving / a carved sculpture on paper. Ca. 1964
Hokusai, Katsushika (Copy); Takamizawa; Eijudo

Edición reducida de la obra de Hokusai The Thirty-six views of Mt. Fuji. (Treinta y seis vistas del Monte Fuji). La obra contiene 46 estampas de formato reducido, pegadas sobre un soporte de papel co [+]

The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean; Cruz Vázquez, Manuel de la
The Coronation of the Virgin
Taille douce: etching and engraving on laid paper. 1795
Massard, Jean; Cruz Vázquez, Manuel de la

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

El Niño de Vallecas
Taille douce: etching and engraving on laid paper. 1792
Vázquez, Bartolomé; Vázquez, Antonio
El Niño de Vallecas
Taille douce: etching and engraving on laid paper. 1792
Vázquez, Bartolomé; Vázquez, Antonio

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de

The ruin of post-war Spain and the return to Fernando VII’s pre-constitutional tenets left no room at all for hope. All that Goya could do was to present what he considered that situation’s antithesis [+]

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish Golden Age and moralising texts from the En [+]

Coronation of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Feillet, Pierre Jacques; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Coronation of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Feillet, Pierre Jacques; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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