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Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

The ruin of post-war Spain and the return to Fernando VII’s pre-constitutional tenets left no room at all for hope. All that Goya could do was to present what he considered that situation’s antithesis [+]

Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish Golden Age and moralising texts from the En [+]

Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 40, Of what illness will he die? In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish G [+]

Fierce Monster!
Drypoint, Etching, Burin on continuous wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Drypoint, Etching, Burin on continuous wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of which symbolize the forces that oppressed Spain after 1814.In this se [+]

Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Los Caprichos is the most widely disseminated of Goya´s series of prints and consists of 80 plates. They were published in 1799, following a creative process that began in 1794 with two sets of drawin [+]

Blow
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Blow
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

The etching Blow is Capricho number 69. The initial idea for Capricho 69, Blow, already appears in drawing 57 of Album B, and its descriptive title, Aunt Oilstains lights the Hearth, Witches to Gather [+]

The Sleep of Reason Produces Monsters
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
The Sleep of Reason Produces Monsters
Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

This print marks the beginning of a new series of compositions intended mainly to excoriate the ignorance of the common people, the vices of monks and the stupidity of the great. The superstitious bel [+]

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