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The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]
Attributed to Goya until 2008, new art historical and technical studies led to a reconsideration of the painting’s attribution, particularly following the tentative reading of the marks in the lower l [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]
El Greco executed various versions of the Holy Face on the Veil of Veronica, an iconographic motif that became very popular at the end of the Middle Ages. According to the story that developed during [+]
Antonio Correggio’s stay in Rome between 1518 and 1519 powerfully affected his late work, which reflects that of late Raphael and the Michelangelo of the Sistine Chapel. Without ever abandoning Andrea [+]
The painting featured here is an example of the characteristic compositions with poultry in which D`Hondecoeter specialised. This type of painting was brought to Utrecht in 1619 by Roeland Savery (157 [+]
Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]
The rather monumental conception of this composition was customary for this painter, but here it is due to the fact that he was drawing on a well-known print by Schelte a Boswert that had also been us [+]
In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]
Hercules’s encounter with the Erimanthean bore is not the best known of his labors. At first glance, it would appear to be nothing more than a new demonstration of his capacity to vanquish evil and sa [+]
This painting depicts a passage from the Gospel of Saint John (19, 4-5) which recounts how after Christ had been whipped and crowned with thorns: Pilate therefore went forth again, and saith unto them [+]
This work is a variation on the painting executed by Jacopo towards 1580 for the main altar of the church of the Capuchins in Bassano del Grappa (Museo Civico, inv. 18), a large work (237 x 155 cm) wi [+]
The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]
These works (P944 and P7948) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]
Saint Jerome is depicted meditating on the Last Judgment, as indicated by the print in the book, which reproduces a model by Albrecht Dürer. He is surrounded by various vanitas, such as the skull [+]
These works (P7948 and P944) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]
This painting presents an event mentioned in the book of Genesis (18, 1. 19). Giambattista Tiepolo had depicted this subject earlier in a painting from the series he painted for the palace of the Arch [+]
