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Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer
Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer

The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]

Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
Saint John the Evangelist in Patmos
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco
Saint Francis comforted by an Angel
Oil on canvas. Ca. 1620
Ribalta, Francisco

Toward the end of the 17th century, Saint Francis’s iconography expanded as many of the classical biographic themes were replaced with more complex episodes -especially trance visions- mystical ecstas [+]

And They Still Say Fish Is Expensive!
Oil on canvas. 1894
Sorolla y Bastida, Joaquín
And They Still Say Fish Is Expensive!
Oil on canvas. 1894
Sorolla y Bastida, Joaquín

This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]

Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´
Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´

The painting featured here is an example of the characteristic compositions with poultry in which D`Hondecoeter specialised. This type of painting was brought to Utrecht in 1619 by Roeland Savery (157 [+]

The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)
The Burial of Christ
Oil on canvas. 1572
Titian (Tiziano Vecellio)

Titian represented the Gospel account of the burial of Christ (Matthew 27: 57-61; Mark 15: 44-47; Luke 23: 50-54; John 19: 38-42) on several occasions. There is a notable difference between his first [+]

The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín
The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín

The rather monumental conception of this composition was customary for this painter, but here it is due to the fact that he was drawing on a well-known print by Schelte a Boswert that had also been us [+]

The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

Hercules and the Erymanthian Boar
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Erymanthian Boar
Oil on canvas. 1634
Zurbarán, Francisco de

Hercules’s encounter with the Erimanthean bore is not the best known of his labors. At first glance, it would appear to be nothing more than a new demonstration of his capacity to vanquish evil and sa [+]

Ecce Homo
Oil on canvas. 1565 - 1570
Titian (Tiziano Vecellio) (Attributed To)
Ecce Homo
Oil on canvas. 1565 - 1570
Titian (Tiziano Vecellio) (Attributed To)

This painting depicts a passage from the Gospel of Saint John (19, 4-5) which recounts how after Christ had been whipped and crowned with thorns: Pilate therefore went forth again, and saith unto them [+]

Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco
Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco

This work is a variation on the painting executed by Jacopo towards 1580 for the main altar of the church of the Capuchins in Bassano del Grappa (Museo Civico, inv. 18), a large work (237 x 155 cm) wi [+]

Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de

The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]

The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de
The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de

These works (P944 and P7948) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de
The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de

These works (P7948 and P944) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

The combination of tangible reality with a visionary and spiritual atmosphere was one of the features that explain the fascination exerted by Murillo’s works, many of them extremely popular, which is [+]

Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de

A lion was ravishing the region of Nemea and frightening its inhabitants to such a degree that they could no longer work the land. The Marquis of Villena’s Twelve Labors of Hercules, along with Juan P [+]

Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y
Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y

Chained to a boulder, Andromeda occupies the left side of the composition, while the right opens onto a seascape from which a monster emerges to threaten the mythological heroine. This episode is from [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

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