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Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan
Landscape with Carmelites
Oil on canvas. 1634 - 1639
Both, Jan

This painting entered the Museum as an original work by Jan Both, attribution that has been maintained in the catalogues until the present day. In 1973 Valdivieso identifies it as the picture listed i [+]

The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y
The dead Christ
Oil on canvas. 1663
Escalante, Juan Antonio de Frías y

In this painting, following His crucifixion and descent from the Cross, the body of Christ lies upon a white cloth. On His left is a beam of the cross bearing the sign that identifies Him as King of t [+]

The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso
The Virgin and Child
Oil on canvas. 1645 - 1652
Cano, Alonso

Technical studies carried out at the Museo del Prado confirm Alonso Cano as the author of this Virgin of the Star, which belongs to the Museo del Prado but has been on loan to the Museo del Bellas Art [+]

Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)
Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)

By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]

The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de
The Virgin Nursing the Child
Oil on panel. Ca. 1565
Morales, Luis de

These works (P944 and P7948) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de
The Virgin nursing the Child
Oil on panel. 1560 - 1565
Morales, Luis de

These works (P7948 and P944) embody a more decorous variation of the breastfeeding Madonna, a reference to the succour afforded by the Virgin to all believers. Morales designed a composition which avo [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de
The Annuncation
Oil on panel. Ca. 1565
Morales, Luis de

In a single sequence, the painting shows the Archangel Gabriel’s greeting to Mary, his announce ment to her that she has been designated as the mother of the son of God, and her acceptance of the divi [+]

Christ the Saviour blessing
Oil on canvas. 1638
Zurbarán, Francisco de
Christ the Saviour blessing
Oil on canvas. 1638
Zurbarán, Francisco de

This is the only example known to have been painted by Zurbarán of the medieval iconography of Jesus as savior, making this canvas especially interesting to historians of art. Similar examples [+]

The Education of Achilles
Oil on canvas. 1727
Conca, Sebastiano
The Education of Achilles
Oil on canvas. 1727
Conca, Sebastiano

King Philip V of Spain’s last son, Luis Antonio Jaime, was born on 25 July 1727. To celebrate the occasion, the Piazza di Spagna in Rome was decorated with an artificial boulder of considerable dimens [+]

The Martyrdom of Saint James
Oil on canvas. Ca. 1640
Zurbarán, Francisco de
The Martyrdom of Saint James
Oil on canvas. Ca. 1640
Zurbarán, Francisco de

The apostle Saint James is shown kneeling with his hands together in prayer, offering his neck up to the sword of the executioner whoprepares to decapitate him. Standing before the apostle, wearing a [+]

The Coronation of the Virgin
Oil on canvas. Ca. 1592
el Greco (Domenikos Theotokopoulos)
The Coronation of the Virgin
Oil on canvas. Ca. 1592
el Greco (Domenikos Theotokopoulos)

The Virgin Mary is crowned Queen of Heaven by God the Father and Jesus Christ at the same time. The Holy Ghost, appears above them in the form of a dove, occupying the upper vertex of a rhombus formed [+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer
Portrait of Mr. Storer
Oil on canvas. Ca. 1790
Shee, Sir Martin Archer

The sitter, whose identity is not fully confirmed, is depicted in a fine interior, wearing an elegant frockcoat. He holds a print and a portfolio for prints. These objects, as well as the Greek amphor [+]

The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín
The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín

The rather monumental conception of this composition was customary for this painter, but here it is due to the fact that he was drawing on a well-known print by Schelte a Boswert that had also been us [+]

The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim
The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

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