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The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

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The Rape of Hippodamia
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Jorro, José; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Rape of Hippodamia
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Jorro, José; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Rubens y su taller conservado en el Museo Nacional del Prado (P01658). Esta estampa se entregaba con el cu [+]

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Act of Devotion by Rudolf I of Habsburg
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (After); Wildens, Jan (After); Real Establecimiento Litográfico de Madrid; Asselineau, Leon-Augusto; Madrazo y Agudo, José de
Act of Devotion by Rudolf I of Habsburg
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (After); Wildens, Jan (After); Real Establecimiento Litográfico de Madrid; Asselineau, Leon-Augusto; Madrazo y Agudo, José de

Es una litografía de Léon-Auguste Asselineau (1808-1889) que reproduce el lienzo pintado por Rubens, cuya firma aparece en la estampa, y por Jan Wildens (P01645). Rubens realizó las figuras y el paisa [+]

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The Rape of Proserpine
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Madrazo y Agudo, José de; Rodríguez, Cayetano; Real Establecimiento Litográfico de Madrid
The Rape of Proserpine
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Madrazo y Agudo, José de; Rodríguez, Cayetano; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Rodríguez (activo en Madrid entre 1829 y 1837) que reproduce el óleo pintado por Rubens y su taller conservado en el Museo Nacional del Prado (P01659). Esta estampa se en [+]

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The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas -Lithographer- (The Original Work, According To Inscriptions, Attributed To Brueghel The Elder, Jan (Jan 'velvet' Brueghel)); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (After); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue [+]

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The Rape of Hippodamia
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Jorro, José; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Rape of Hippodamia
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Rubens, Peter Paul (And Workshop); Jorro, José; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo pintado por Rubens y su taller (P01658). Esta estampa se entregaba con el cuadernillo CXCVIII acompañado de u [+]

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