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Isaiah
Oil on panel. Ca. 1525
Master Of Becerril
Isaiah
Oil on panel. Ca. 1525
Master Of Becerril

This painter is one of the most outstanding and singular representatives of the early Renaissance in Palencia. While there are no extant documents to prove it, this work must somehow be connected with [+]

The Prophecy of Isaiah
Oil on canvas. 1778 - 1779
Bayeu, Francisco
The Prophecy of Isaiah
Oil on canvas. 1778 - 1779
Bayeu, Francisco

The prophet Isaiah is depicted on clouds, surrounded by angels and pointing to one of them, who holds a scroll with the following Latin text concerning the birth of the Messiah: “Behold, a virgin shal [+]

Susannah and the Elders
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)
Susannah and the Elders
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)

Venetian sixteenth-century painters frequently made use of this story as it allowed them to depict their client´s preferred subject-the female nude- using the vehicle of a biblical episode. The confro [+]

A Prophet (fragment)
Mixed method on panel. 1450 - 1475
Master Of St. George And The Princess (Attributed To)
A Prophet (fragment)
Mixed method on panel. 1450 - 1475
Master Of St. George And The Princess (Attributed To)

This fragment of an altarpiece was attributed to the Hispano-Flemish painter Martín de Soria and more recently to Jaume Huguet. However, the evident Aragonese influence has led to an attributio [+]

Susannah and the Elders
Oil on canvas. 1617
Guercino (Giovanni Francesco Barbieri)
Susannah and the Elders
Oil on canvas. 1617
Guercino (Giovanni Francesco Barbieri)

Historian Denis Mahon has masterfully shown that this painting and two other famous works by Guercino -Lot and his daughters (Monastery of El Escorial, Madrid) and The return of the Prodigal Son (Gall [+]

The Chaste Susannah
Oil on canvas. 1885
Maura y Montaner, Francisco
The Chaste Susannah
Oil on canvas. 1885
Maura y Montaner, Francisco

This composition adheres faithfully to the academic rules for the representation of the female nude, which demanded its insertion in a narrative scene by means of justification. In this exercise to fu [+]

The Calling of the Prophet Isaiah
Oil on canvas. 1771
Bayeu, Francisco
The Calling of the Prophet Isaiah
Oil on canvas. 1771
Bayeu, Francisco

This is a preparatory oil sketch for one of the eight frescoes, now lost, by Bayeu for the dome of the collegiate church at La Granja de San Ildefonso, Segovia. They depicted the exaltation of the Tri [+]

Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti
Susannah and the Elders
Oil on canvas. 1552 - 1555
Tintoretto, Jacopo Robusti

This canvas is part of a group of six paintings: Susannah and the Elders (P386), Esther and Ahasuerus (P388) Judith and Holofernes (P391), The Visit of the Queen of Sheba to Solomon (P394), Joseph and [+]

Susannah and the Elders
Red chalk on dark yellow paper. XVIII century
Crespi, Giuseppe Maria
Susannah and the Elders
Red chalk on dark yellow paper. XVIII century
Crespi, Giuseppe Maria

A la derecha, Susana, sentada en una fuente de gran complicación decorativa; a la izquierda, los dos ancianos, ricamente vestidos, conversan entre sí y la señalan; al fondo, dos sirvientas.El dibujo l [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous
Susannah and the Elders
Black chalk, Grey-brown wash, White lead on grey paper. 1650 - 1700
Anonymous

Dibujo en el que se representa a Susana sentada en primer término junto a una fuente mientras rechaza a las figuras de ancianos que están a su espalda. Podría ser dibujo romano de la segunda mitad del [+]

Isaiah
Black chalk, White chalk on green paper. Ca. 1771
Bayeu, Francisco
Isaiah
Black chalk, White chalk on green paper. Ca. 1771
Bayeu, Francisco

Estudio para la figura correspondiente en el fresco de La vocación del profeta Isaías (P2493), uno de los fragmentos de la cúpula de la Colegiata de La Granja de San Ildefonso, destruida en el incendi [+]

Susannah and the Elders
Pencil, Red chalk, Grey-brown wash on dark yellow paper. Ca. 1755
Diziani, Gaspare
Susannah and the Elders
Pencil, Red chalk, Grey-brown wash on dark yellow paper. Ca. 1755
Diziani, Gaspare

Dibujo en el que se representa a Susana desnuda, sentada de espaldas a la derecha, uno de los ancianos se acerca por la izquierda, ante una fuente monumental. Es dibujo seguro de Diziani, a pesar de l [+]

Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Paolo Giuglielmi (1804-1862) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXV acompañado de [+]

Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Susannah and the Elders
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Paolo Giuglielmi (1802-1864) que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). Esta estampa se entregaba con el cuadernillo LXXIV acompañado d [+]

Susannah and the Elders
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Susannah and the Elders
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Paolo Giuglielmi que reproduce el lienzo de Veronés conservado en el Museo Nacional del Prado (P00483). La estampa iba con un cuadernillo, el LXV, con texto explicativo de José Mu [+]

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