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Horatius Cocles on hoserback riding to the left, defending the Sublician Bridge against Lars Porsenna and the etruscans
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Horatius Cocles on hoserback riding to the left, defending the Sublician Bridge against Lars Porsenna and the etruscans
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

[+]

Horatius Cocles on hoserback riding to the right, defending the Sublician Bridge against Lars Porsenna and the etruscans
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
Horatius Cocles on hoserback riding to the right, defending the Sublician Bridge against Lars Porsenna and the etruscans
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

[+]

Saint Julian, Bishop of Cuenca / Young Nude Academy
Black chalk, White chalk on grey paper. Second half of the XVII century
Anonymous
Saint Julian, Bishop of Cuenca / Young Nude Academy
Black chalk, White chalk on grey paper. Second half of the XVII century
Anonymous

The drawing depicts the bishop seated facing the front, next to a table on which his episcopal mitre and crosier rest, weaving a basket made of reeds. In the background, to the left, a landscape of th [+]

The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous
The Battle of Milvian Bridge
Pencil, White lead, Wash on paper. XVI century
Anonymous

Antonio Ponz, en su Viage a España (1782) describe en el Palacio del Buen Retiro un dibujo con este tema, que quizá fuese este: "36 Por un pasillo se va desde este Oratorio a la pieza, que llaman del [+]

The Emperor Constantine the Great
White carrara marble. 312 - 325
Anonymous
The Emperor Constantine the Great
White carrara marble. 312 - 325
Anonymous

Numerous portraits of Constantine of this type were produced to mark his victory over Maxentius at the Battle of the Milvian Bridge in 312 A. D. Coins of the period depict him as invictus (unconquerab [+]

Venus
Marble. 80 - 90
Anonymous; Roman Sculptor
Venus
Marble. 80 - 90
Anonymous; Roman Sculptor

Originally in the collection of the 7th Marquis del Carpio, Spanish Ambassador in Rome (1676-82) and Viceroy of Naples (1682-87), this sculpture consists of a nude, Greco-Roman torso with some survivi [+]

Head of a Male Goat
White marble. 15 - 30
Anonymous
Head of a Male Goat
White marble. 15 - 30
Anonymous

This head of a goat, formerly in the collection of the Marquis of Carpio (1629-1687), is a fragment of a sculpture depicting a common subject in Antiquity, in which a small rider (Bacchus, Cupid or Ve [+]

Landscape with a Bridge
Hardstone. 1600 - 1625
Anonymous
Landscape with a Bridge
Hardstone. 1600 - 1625
Anonymous

La mayor parte de las piedras utilizadas para esta composición son jaspes de Bohemia. El estilo parece cercano al gusto de las obras realizadas en Praga, aunque hay que admitir que algunos commessi fl [+]

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