The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
45 results
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)
Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)

Inscribed in brown ink on a strip of paper pasted at the bottom of the sheet: CHERUBINUS ALBERTIUS PICTOR ET ARCHITEC. FECIT QUI VIX AN. LXIII. DEC. MDCXV. The eighteenth-century inscription written o [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

Three studies of a right leg
Red chalk on yellow paper. First half of the XVI century
Mini, Antonio (Workshop Of Michelangelo (Michelangelo Buonarroti))
Three studies of a right leg
Red chalk on yellow paper. First half of the XVI century
Mini, Antonio (Workshop Of Michelangelo (Michelangelo Buonarroti))

In this drawing it is possible to see the traits of a copyist. While the overall effect is elegant, weaknesses are particularly apparent in the modeling of the knee in the study top left. The complex [+]

Youth with a Cloak over His Left Shoulder and a Separate Study of His Head and Back
Pencil, Grey-brown ink on yellow paper. Early XVII century
Coccapani, Sigismondo (Copy Cardi, Ludovico)
Youth with a Cloak over His Left Shoulder and a Separate Study of His Head and Back
Pencil, Grey-brown ink on yellow paper. Early XVII century
Coccapani, Sigismondo (Copy Cardi, Ludovico)

In spite of the superficial similarity of the pen-work to that of Passerrotti, this drawing is in fact by an early seven-teenth-century Florentine hand. The kneeling youth appears, with differences, i [+]

Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo
Head of a figure
Pencil, Grey-brown ink on blue paper. 1560 - 1570
Passerotti, Bartolomeo

Collectors and connoisseurs have long admired the powerfully executed, often large-scale drawings by Bartolomeo Passarotti. His finished pen studies, such as Head of a figure (Testa di una figura), 15 [+]

The Annunciation
Pencil, Red chalk, Grey-brown ink on dark yellow paper. Last third of the XVII century
Calandrucci, Giacinto (Attributed To)
The Annunciation
Pencil, Red chalk, Grey-brown ink on dark yellow paper. Last third of the XVII century
Calandrucci, Giacinto (Attributed To)

El dibujo presenta a la izquierda, la Virgen arrodillada, con las manos cruzadas sobre el pecho; a la derecha, el ángel ofrece una azucena; en la parte superior, Gloria de angelitos. El original esta [+]

Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous
Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous

Dibujo en el que se representa a la izquierda un amorcillo y dos faunos dan de beber a un hombre tendido, como Baco o Sileno. A la derecha una ninfa asiste a la escena rodeada de sátiros y amorcillos. [+]

Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)
Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)

This drawing, formerly in the Spanish Royal Collection, was recognised as an autograph work by Guercino by Manuela Mena Marqués. The suggested date for it is around the 1650-60, when Guercino h [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This is copied from one of a seres of engravings of Twelve Apostles by Marco Dente da Ravenna, which is monogrammed R S (Raffaello Sanzio) as the inventor of the designs. The Prado drawing is derived [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]

Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous
Saint Francis in Prayer
Pencil, Red chalk, Grey-brown ink on brown paper. XVII century
Anonymous

Dibujo en el que se representa, en un fondo con paisaje, a San Francisco arrodillado en primer término ante el Crucifijo. La obra enlaza con el círculo de los seguidores de Annibale Carracci (Texto ex [+]

Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)
Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)

There seems little stylistic evidence to support the traditional attribution to Passignano. The drawing may be Cremonese, since there is some resemblance to the work of Giovanni Battista Trotti, calle [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Masks of caricatures who stood out for their significance
Pencil, Iron gall ink, Red chalk on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Masks of caricatures who stood out for their significance
Pencil, Iron gall ink, Red chalk on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 57, The filiation (G02145). Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. The first [+]

Up