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Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)
Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)

This drawing, formerly in the Spanish Royal Collection, was recognised as an autograph work by Guercino by Manuela Mena Marqués. The suggested date for it is around the 1650-60, when Guercino h [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

This is copied from one of a seres of engravings of Twelve Apostles by Marco Dente da Ravenna, which is monogrammed R S (Raffaello Sanzio) as the inventor of the designs. The Prado drawing is derived [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Female Saint Seated on a Cloud
Black chalk, White chalk on tinted paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to the Sienese Francesco Vanni (1563-1610), this drawing was subsequently placed in the collection as the work of the eighteenth-century Roman painter Pompeo Batoni (1708-1787 [+]

Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)
Design for an Altarpiece, with the Virgin and Child Appearing to Four Saints
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early XVII century
Passignano (Attributed To)

There seems little stylistic evidence to support the traditional attribution to Passignano. The drawing may be Cremonese, since there is some resemblance to the work of Giovanni Battista Trotti, calle [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous
The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous

Dibujo en el que se representa a San Esteban arrodillado, mientras que cuatro sayones que le rodean arrojan piedras contra el. A la izquierda, dos personajes sentados. En la parte superior, un ángel c [+]

The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de
The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de

En la escena aparece, en primer término, un Apóstol tendido. En el centro Cristo arrodillado, de perfil a la izquierda con las manos juntas. A la izquierda el ángel y a la derecha, en segundo término, [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo
Design for the Decoration of the Front Wall of a Chapel
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Urbino, Carlo

Although Parmigianinesque in style, the Prado drawing is clearly not of the same quality as Parmigianino´s undoubtedly authentic work. There are strong analogies in handling and technique with a numbe [+]

Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]

Charity
Pencil, Red chalk, Grey-brown wash on yellow laid paper. Second half of the XVII century
Navarro, Juan Simón (Attributed To)
Charity
Pencil, Red chalk, Grey-brown wash on yellow laid paper. Second half of the XVII century
Navarro, Juan Simón (Attributed To)

La Caridad aparece sentada, rodeada de niños y con uno en las rodillas, sostiene con la mano derecha, alzada, un corazón en llamas. Sobre su cabeza un letrero: CHARITAS.Aunque la atribución no parece [+]

Roman emperor receiving and emissary
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo
Roman emperor receiving and emissary
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on paper. XVI century
Castello, Bernardo

The old attribution is to Vasari (1511-1574). The style and figure types however seem wholly typical of the drawings of the Genoese painter and designer of engravings, Bernardo Castello. Similar figur [+]

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