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Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan
Saint Stephen / The Imposition of the Chasuble on Saint Ildephonsus
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan
Saint Lawrence / Saint Hilary
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan
Altarpiece of the Annunciation
Oil on panel. 1559
Correa de Vivar, Juan

The Museo del Prado’s collections include an important group of paintings by Juan de Correa de Vivar, an artist based in Toledo who must have been born at the beginning of the 16th century in the town [+]

Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

Charity
Pencil, Red chalk, Grey-brown wash on yellow laid paper. Second half of the XVII century
Navarro, Juan Simón (Attributed To)
Charity
Pencil, Red chalk, Grey-brown wash on yellow laid paper. Second half of the XVII century
Navarro, Juan Simón (Attributed To)

La Caridad aparece sentada, rodeada de niños y con uno en las rodillas, sostiene con la mano derecha, alzada, un corazón en llamas. Sobre su cabeza un letrero: CHARITAS.Aunque la atribución no parece [+]

The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)
The Immaculate Conception
Pencil, Red ink, Grey-brown wash, Reddish wash on paper. XVII century
Ribalta, Francisco (Attributed To)

En pie sobre el creciente de la luna, al cual se enrosca el dragón infernal, alza sus ojos al cielo. De su cuerpo parten rayos luminosos, y rodea su cabeza la corona de estrellas. Ángeles mancebos y n [+]

Saint Joseph with the Christ Child
Red chalk, Red wash on dark yellow paper. Early Finales del siglo XVII - XVIII century
Stringa, Francesco
Saint Joseph with the Christ Child
Red chalk, Red wash on dark yellow paper. Early Finales del siglo XVII - XVIII century
Stringa, Francesco

El dibujo representa a San José sentado de frente y sosteniendo sobre sus rodillas al niño Jesús, al que ofrece una fruta. Es posible aceptar la atribución antigua del dibujo a Francesco Stringa por s [+]

The Holy Family with the Infant Saint John the Baptist
Pencil, Red chalk, Grey-brown wash on tinted paper. First third of the XVII century
Cavedone, Giacomo
The Holy Family with the Infant Saint John the Baptist
Pencil, Red chalk, Grey-brown wash on tinted paper. First third of the XVII century
Cavedone, Giacomo

Es dibujo de notable calidad y perfección, de escuela boloñesa del primer tercio del siglo XVII, cuyos modelos y técnicas lo enlazan claramente con el modo de hacer de Cavedone, a quien sin duda ha de [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de
Satan’s desperation
Red chalk, Red wash on ivory laid paper. 1816 - 1819
Goya y Lucientes, Francisco de

Satan’s Desperation does not correspond to any of the prints from the Disparates, but it shares the same formal and technical characteristics as the rest of that series’ preliminary drawings: the same [+]

The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous
The Martyrdom of Saint Stephen
Red chalk, Red wash on brown paper. Ca. 1650
Anonymous

Dibujo en el que se representa a San Esteban arrodillado, mientras que cuatro sayones que le rodean arrojan piedras contra el. A la izquierda, dos personajes sentados. En la parte superior, un ángel c [+]

Christ among the Doctors
Pencil, Red chalk, Grey-brown wash on dark yellow paper. Early XVIII century
Anonymous
Christ among the Doctors
Pencil, Red chalk, Grey-brown wash on dark yellow paper. Early XVIII century
Anonymous

La composición, simétrica, presenta al fondo a Jesús sentado en el templo y a ambos lados grupos de ancianos que hacen gestos de asombro.Es dibujo de carácter veneciano, de posible datación en los pri [+]

Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous
Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous

En la parte baja y en primer término, un grupo de soldados rodea el sepulcro de Cristo unos dormidos y otros con gestos de asombro ante la Ascensión del Señor, que aparece entre nubes en la parte supe [+]

The Martyrdom of Saint Sebastian
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. 1601 - 1625
Anonymous
The Martyrdom of Saint Sebastian
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. 1601 - 1625
Anonymous

Dibujo en el que se representa al Santo en el centro, atado a un árbol, y con los brazos por encima de su cabeza; dos sayones a los pies, al fondo soldados en pie y a caballo. Es tal vez romano de pri [+]

Holy Family, with a Female Saint and a Church Father
Red chalk, White lead, Wash on brown paper. Early Finales del siglo XVIII - XIX century
Anonymous (Copy Parmigianino. Girolamo Francesco Maria Mazzola)
Holy Family, with a Female Saint and a Church Father
Red chalk, White lead, Wash on brown paper. Early Finales del siglo XVIII - XIX century
Anonymous (Copy Parmigianino. Girolamo Francesco Maria Mazzola)

This is probably after a crayon-manner print by Francesco Rosaspina, which reproduces what must have been a genuine drawing by Parmigianino, now untraced. [+]

Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco
Solomon and the Queen of Sheba
Pencil, Grey-brown wash, Red wash on dark yellow paper. Ca. 1647
Fracanzano, Francesco

The attribution of this drawing has long been uncertain as can be judged from the old inscriptions, which variously ascribe it to Salvator Rosa and to an unspecified Bolognese draughtsman. In the mode [+]

There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
There they go plucked
Red wash on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Goya used the drawing in Album A of a young woman sweeping to design this complex scene of a brothel, which is also preparatory work for an etching for the Caprichos. The first contemporary comments w [+]

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