The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
22 results
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Muchas Viudas an llorado como tu
Brush, Bistre, Grey-brown ink, Iron gall ink, Black chalk lines, Wash, Scraping out on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Para los que estan en Pecado Mortal
Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Para los que estan en Pecado Mortal
Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de
Big Booby
Red chalk, Red wash on ivory laid paper. 1815 - 1819
Goya y Lucientes, Francisco de

A preparatory drawing for Disparates, 4, Big Booby. The big booby was an intellectually challenged giant who danced licentiously to the sound of the castanets at carnivals. In this drawing, he frighte [+]

This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is not less
Red chalk on laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

The title indicates the continuity between this composition and he preceding one of the series, Strange Devotion, where a group of people are shown venerating a sacred mummy being carried by a donkey. [+]

Sueño De Brujas
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Sueño De Brujas
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for Caprichos, 70, Devout profession is in two parts. The image on the front of the paper is called Dream of a beginner witch while the rear one, which appears with the title, [+]

This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Many of the drawings from Album C depict people suffering the consequences of poverty. Beggars, the handicapped, alcoholics, the mentally ill and invalids appear throughout the first half of that albu [+]

Esto ya se be
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Esto ya se be
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

To the desert to be a saint, amen
Brush, Bistre, Black chalk lines, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
To the desert to be a saint, amen
Brush, Bistre, Black chalk lines, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Esto degemoslo como estaba
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Esto degemoslo como estaba
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Puede ser que sea bueno
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Puede ser que sea bueno
Brush, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Religion en la Asia
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Religion en la Asia
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Si no me engano, ba a dejar el avito
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Si no me engano, ba a dejar el avito
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
A lo menos hace algo
Brush, Pencil, Bistre, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Ya hace mucho tiempo, que somos Conocidos
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Ya hace mucho tiempo, que somos Conocidos
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Ó Ste brague
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
Ó Ste brague
Brush, Pencil, Grey-brown ink, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Strange Devotion!
Etching, Aquatint, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Strange Devotion!
Etching, Aquatint, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

In his novel, Rinconete and Cortadillo (1613), Miguel de Cervantes has his character, Monipodio, say the following about two old men in his band of criminals, who, despite being thieves, “were man of [+]

Nothing. The Event will tell
Drypoint, Etching, Aquatint, Wash, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Drypoint, Etching, Aquatint, Wash, Burnisher on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

More has been written about Nothing. The Event will tell (number 69 of the Disasters of War), than about any other preparatory drawing for the Disasters. Its cryptic character has sparked a variety of [+]

Up