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The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Resurrection of Christ
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

According to the Suidas, the drawing is similar in composition to the altarpiece in S. Bartolommeo degli Armeni, Genoa. This design was recycled in another altarpiece of the subject in S. Giovanni Bat [+]

Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous
Resurrection of Christ
Red chalk on dark yellow paper. Early XVIII century
Anonymous

En primer término dos soldados romanos caídos en tierra, miran hacia el fondo, a tres ángeles que muestran el sepulcro de Cristo vacio. (Texto extractado de Mena Marqués, M.: Catálogo de Dibujos. VII. [+]

The Pool of Bethesda
Pencil, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Anonymous
The Pool of Bethesda
Pencil, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Anonymous

The drawing is connected with one of two large upright frescoes by Perino formerly in the Cappella Massimi in S. Trinita dei Monti, Rome. One, the Raising of Lazarus, is detached and now in the Victor [+]

Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous
Resurrection of Christ
Pencil, Red chalk, Grey-brown wash on dark yellow paper. First third of the XVIII century
Anonymous

En la parte baja y en primer término, un grupo de soldados rodea el sepulcro de Cristo unos dormidos y otros con gestos de asombro ante la Ascensión del Señor, que aparece entre nubes en la parte supe [+]

Resurrection of Christ
Pencil, Chalk ground, Grey-brown ink on paper. XVI century
Anonymous
Resurrection of Christ
Pencil, Chalk ground, Grey-brown ink on paper. XVI century
Anonymous

The composition of this good drawing, seems inspired by the well known fresco of the subject by Marco Pino in the Oratorio del Gonfalone, Rome, now generally dated 1568-70. The drawing style is not Pi [+]

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