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The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the little use of gold in the figures and in the scenery. The composition, a grandiose crucifixion which could have been completed in Bermejo’s workshop and with his help, is based on that of the altar piece

Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé
Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé

This work formed part of the altar piece of the church of Santo Domingo de Silos in Daroca (Zaragoza) together with Bermejo’s Saint Dominic of Silos (P1323). It shows one of the two stories about the saint that were represented on the left vertical section on the altar piece, painted with the assistance of Bernat. The King of Castile, accompanied by his court, welcomed the saint at the gates of Bu

Saint Dominic of Silos enthroned as a Bishop
Oil on panel. 1474 - 1477
Bermejo, Bartolomé
Saint Dominic of Silos enthroned as a Bishop
Oil on panel. 1474 - 1477
Bermejo, Bartolomé

This iconic image was intended as the central panel of the church of Santo Domingo de Silos (Daroca). While the face and bodily posture are dominantly and hypnotically hieratic, the minute rendering of the rich episcopal vestments (pluvial cope, mitre, book and crozier) and the gilded microarchitecture of the monumental throne reflect a pictorial illusionism of Flemish inspiration. This surprising

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