The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
151 results
Bust of a woman in classical costume
Chalcedony. Early Finales del siglo XVI - XVII century
Anonymous
Bust of a woman in classical costume
Chalcedony. Early Finales del siglo XVI - XVII century
Anonymous

Este camafeo formó parte de un vaso robado en 1918. [+]

Bust of a woman
Agate. Early Finales del siglo XVI - XVII century
Anonymous
Bust of a woman
Agate. Early Finales del siglo XVI - XVII century
Anonymous

Este camafeo, que representa un busto de mujer con traje de época, formó parte de un vaso robado en 1918. [+]

Bust of a bearded man
Chalcedony. Early Finales del siglo XVI - XVII century
Anonymous
Bust of a bearded man
Chalcedony. Early Finales del siglo XVI - XVII century
Anonymous

Este camafeo formó parte de un vaso robado en 1918. . [+]

Portraits
Oil on unlined canvas. XVI century
Badile, Antonio (Attributed To)
Portraits
Oil on unlined canvas. XVI century
Badile, Antonio (Attributed To)

[+]

Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de
Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de

La retratada, doña Josefa del Águila y Ceballos Alvarado y Álvarez de Faria (San Sebastián, 16 de febrero de1826- Madrid, 26 de diciembre de 1888), casada en 1850 con José María Narváez, II vizconde d [+]

Salonia Matidia as Thalia, Muse of Comedy
Marble. Ca. 1789
Cortés, Pascual
Salonia Matidia as Thalia, Muse of Comedy
Marble. Ca. 1789
Cortés, Pascual

This Muse is a copy of a Roman herm, in this case depicting Comedy with vine tendrils in her hair and the features of the Roman noblewoman Salonia Matidia (68-119 d. C.), like that of Tragedy (E00042 [+]

Salonia Matidia as Melpomene, Muse of Tragedy
Marble. Ca. 1789
Cortés, Pascual
Salonia Matidia as Melpomene, Muse of Tragedy
Marble. Ca. 1789
Cortés, Pascual

This is a copy of the portrait of Salonia Matidia (AD 68-119) depicted as the Muse of Tragedy. The style of the fringe, visible under the large wig, corresponds to the Hadrianic period. The Roman orig [+]

Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
Josefa Coello de Portugal
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

In the mid-nineteenth century Federico de Madrazo produced some of the most successful portraits of the Spanish bourgeoisie during the reign of Isabel II (1833-68), presenting them with the opulence t [+]

Marie Louise Élisabeth d'Orléans, Duchess of Berry
Oil on canvas. 1714
Gobert, Pierre
Marie Louise Élisabeth d'Orléans, Duchess of Berry
Oil on canvas. 1714
Gobert, Pierre

The duchess wears a red silk masquerade gown with a mother-of-pearl overskirt decorated with branch motifs and fur edging, under a red-and-gold coat that matches her whimsical headdress. Holding a bla [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

The Clothed Maja
Etching, Burin on wove paper. Ca. 1865
Franch y Mira, Ricardo -Engraver- (After Goya y Lucientes, Francisco de); Calcografía Nacional; Printing Of Manuel Tello; Fernández Olmos, José
The Clothed Maja
Etching, Burin on wove paper. Ca. 1865
Franch y Mira, Ricardo -Engraver- (After Goya y Lucientes, Francisco de); Calcografía Nacional; Printing Of Manuel Tello; Fernández Olmos, José

Esta estampa, número 40 de la colección Cuadros selectos de la Real Academia de Bellas Artes de San Fernando, reproduce la pintura de Francisco de Goya conservada en el Museo del Prado (P00741), y ant [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX acompa [+]

Sir Thomas More
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Sir Thomas More
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar -Lithographer- (After Prado, Blas de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). El título que aparece en la estampa es La Virgen y otros [+]

Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Beatriz van Hemmema, Countess of Oxford
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Legrand, Luis Carlos -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01481). Esta estampa se entregaba co [+]

Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Bronzino (Agnolo Di Cosimo)); Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Camilla Gonzaga, Countess of San Segundo, and her Sons
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Bronzino (Agnolo Di Cosimo)); Parmigianino. Girolamo Francesco Maria Mazzola (And Workshop); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Giuglielmi que reproduce el lienzo de Parmigianino y su taller (P00280). La atribución de la pintura original a Bronzino que aparece en la firma de la estampa, es errónea. [+]

Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietro Maria Rossi, Count of San Secondo
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Parmigianino. Girolamo Francesco Maria Mazzola); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Parmigianino conservado en el Museo Nacional del Prado (P00279). Esta estampa se entregaba con el cuadernillo LXXXIII aco [+]

Up