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Bouquet of flowers with blue ribbon
Oil on canvas. 1780 - 1785
Paret y Alcázar, Luis
Bouquet of flowers with blue ribbon
Oil on canvas. 1780 - 1785
Paret y Alcázar, Luis

These two Bouquets of flowers (P001043 and P001042) perfectly exemplify Paret’s mastery in truthfully and beautifully representing nature, as well as his ability to execute compositions in which the harmony of shapes, colour and light emphasise the pleasure of contemplation. The smooth modelling as well as the detailed and thorough depiction of the different flower species – achieved through the a

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produced works that became known throughout Europe -especially in Spain, where they had a decisive influence on local artists. The present painting and its pendant (P2507) magnificently exemplify the depen

Fruits and flowers
Oil on canvas. 1664
Son, Joris Van
Fruits and flowers
Oil on canvas. 1664
Son, Joris Van

Garland of Flowers with the Virgin, the Christ Child and Saint John
Oil on canvas. First half of the XVII century
Seghers, Daniel; Quellinus, Erasmus
Garland of Flowers with the Virgin, the Christ Child and Saint John
Oil on canvas. First half of the XVII century
Seghers, Daniel; Quellinus, Erasmus

A rhomboidal garland of flowers surrounds grisaille figures of the Virgin and Child with Saint John. This is one of many examples of the collaboration between the Jesuit painter specializing in still lifes and flowers, Daniel Seghers, and the figure painter, Erasmus Quellinus. Their shared works were highly successful among European collectors during the Baroque era. The rhombic ordering of the gr

Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de
Vase of Flowers
Oil on canvas. 1650 - 1700
Arellano, Juan de

In each of these paintings (P596, P597), the central motif around which the entire composition is organised is a glass flower vase, the base of which rests on a stone surface. The flask-shaped vessel contains water. The specific varieties of flowers vary in the two works, but the similarities in the paintings´ dimensions and in the strategies adopted in the depiction of their subjects -toget

Vase of Flowers
Oil on copperplate. XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Vase of Flowers
Oil on copperplate. XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Tres rosas y cinco tulipanes se combinan con florecillas de Narcissus tazetta y Myosotis scorpioides; una coccinela, una mariposa, un insecto y un gusano dan vida a este conjunto que repite, con variantes, los originales de Brueghel de Velours en las colecciones R. Green de Londres, Wingfield castle, y colección Turkow de la Haya. El gusano, los capullos, crisálidas y mariposas que, recién nacida

Vase of Flowers
Oil on canvas. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Vase of Flowers
Oil on canvas. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Still Life with Artichokes, Flowers and Glass Vessels
Oil on canvas. 1627
Hamen y León, Juan Van Der
Still Life with Artichokes, Flowers and Glass Vessels
Oil on canvas. 1627
Hamen y León, Juan Van Der

This magnificent painting once belonged to Diego Mexía Felípez de Guzmán, Marquis of Leganés, in whose collection it was inventoried in 1655. This collection of nearly 1300 paintings comprised works by some of the most important European painters of the time, including a great number of Flemish still lifes and genre paintings. Van der Hamen was represented by nine still

Bouquet of flowers with blue and white ribbon
Oil on canvas. 1780 - 1785
Paret y Alcázar, Luis
Bouquet of flowers with blue and white ribbon
Oil on canvas. 1780 - 1785
Paret y Alcázar, Luis

These two Bouquets of flowers (P001043 and P001042) perfectly exemplify Paret’s mastery in truthfully and beautifully representing nature, as well as his ability to execute compositions in which the harmony of shapes, colour and light emphasise the pleasure of contemplation. The smooth modelling as well as the detailed and thorough depiction of the different flower species – achieved through the a

Flowers on a Plate
Oil on panel. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Flowers on a Plate
Oil on panel. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

A plate with corners resting on a blue cloth bears roses and other flowers. This late work shows the clear influence of Daniel Seghers.

Abundance
Oil on copperplate. Ca. 1625
Brueghel The Younger, Jan
Abundance
Oil on copperplate. Ca. 1625
Brueghel The Younger, Jan

This type of allegorical representations of abundance or fecundity was very popular among cabinet paintings from this period. Artists such as Rubens, Jan Brueghel the Elder, Hendrick de Clerck and Hendrick van Balen, among others, also made such works, often in collaboration. Here, fertility is represented by a six-breasted figure at the center of the composition. She bears a horn of plenty and is

Floral Still Life
Oil on copperplate. 1633 - 1666
Kessel el Viejo, Jan Van
Floral Still Life
Oil on copperplate. 1633 - 1666
Kessel el Viejo, Jan Van

Jan van Kessel era nieto de Jan Brueghel el Viejo y sobrino de Jan Brueghel el Joven y de David Teniers II, de quienes fue discípulo. En esta obra aúna varios de los géneros pictóricos en que destacó. Representa una naturaleza muerta con flores en la que se integran pájaros y roedores, mientras que la composición se abre a la derecha para mostrar, en la lejanía, un paisaje dominado por un palacio

Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé
Garland of Flowers with Saint Anthony of Padua
Oil on canvas. After 1689
Pérez, Bartolomé

This is one of the artist’s later works. It must date from 1689 at the very earliest, as that is the year he became one of the king’s painters and this is indicated alongside his signature by the letters P and R, intertwined and topped by a crown. This sort of work- a religious scene surrounded by a garland -was quite frequent in 17th-century Flemish painting, but the same genre was cultivated by

The Sense of Smell
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Smell
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

Vase of Flowers
Oil on panel. XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Vase of Flowers
Oil on panel. XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

An Offering to Flora
Oil on canvas. 1627
Hamen y León, Juan Van Der
An Offering to Flora
Oil on canvas. 1627
Hamen y León, Juan Van Der

A lady seated in a garden is handed a basket of roses by a boy. The profusion of flowers around her and the crown on her head, as well as her location in a courtly garden with a statue in the background, identify the painting as an allegory of the goddess, Flora. This work is related to a series of similar compositions made by van der Hamen during the sixteen twenties. Some of these are allegories

Vase of Flowers
Oil on canvas. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Vase of Flowers
Oil on canvas. First quarter of the XVII century
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Vase of Flowers
Oil on panel. 1609 - 1615
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Vase of Flowers
Oil on panel. 1609 - 1615
Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This panel depicts a bouquet of tulips, roses and irises in a small porcelain vase. On the table is an insect, a sprig of leaves and more flowers. The blue and white porcelain vase is from Jingdezhen in Jiangxi province, China, and was made for export.

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