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This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Myst [+]
Drawing depicting the half-kneeling saint in the foreground. A child angel flies towards her with the crown and the palm leaf. In the foreground, the remains of a wheel and a cutlass are perceptible. [+]
The monotonous pen-work indicates this is a copy. The arrangement of the figures and the somber lighting suggest that the prototype may have been a composition by a late sixteenth-century Roman artist [+]
The figure type and pose of the saint indeed suggest an early sixteenth-century Emilian prototype, though this drawing can be no more than a feeble reflection of such a model. In the lower left, the a [+]
This style is a little reminiscent of the drawings of the Modenese painter Ercole Setti but this handling not to be by him. [+]
