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Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous
Two satyrs pursuing two nymphs
Pencil, Grey-brown ink, Wash on yellow paper. 1540 - 1560
Anonymous

Although clearly not from the hand of Nicolò dell´Abate (1509 or 1512-1571), the composition reflected by this drawing seems Emilian, and there are slight echoes of the style of the Parmese Jac [+]

Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous
Nymphs and Satyrs
Pencil, Red chalk, Grey ink on dark yellow paper. Ca. 1650
Anonymous

Dibujo en el que se representa a la izquierda un amorcillo y dos faunos dan de beber a un hombre tendido, como Baco o Sileno. A la derecha una ninfa asiste a la escena rodeada de sátiros y amorcillos. [+]

Design for the Decoration of a Spandrel Containing a Cartouche / Study for the Three Protagonists in a Composition of the Sposalizio of the Virgen
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Anonymous (Follower Of Vasari, Giorgio)
Design for the Decoration of a Spandrel Containing a Cartouche / Study for the Three Protagonists in a Composition of the Sposalizio of the Virgen
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Anonymous (Follower Of Vasari, Giorgio)

It is indeed possible that this good drawing could be by the Tuscan, Marco Marchetti da Faenza (before 1528-1588), who worked in the circle of Vasari. However, the style seems a little too accomplishe [+]

The Triumph of Bacchus
Black chalk, Grey-brown wash on white paper. Mid-XVIIcentury
Anonymous
The Triumph of Bacchus
Black chalk, Grey-brown wash on white paper. Mid-XVIIcentury
Anonymous

Dibujo en el que se representa a la izquierda a Baco cabalgando sobre un asno, acompañado por un sátiro y un fauno que le ofrecen racimos de uvas y le señalan un recipiente con vino; ante ellos, de es [+]

Venus and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Venus and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Cupid, seated in Venu´s lap, raises his face to kiss her. The two figures correspond precisely in pose to those in a painting by Cambiaso of Venus and Cupid accompanied by a satyr in a landscape in th [+]

Antinous of Bithynia
Marble. 130 - 150
Anonymous
Antinous of Bithynia
Marble. 130 - 150
Anonymous

Antinous (c. 105-130AD), the Emperor Hadrian’s favourite, was deified with the name of Osiris to commemorate his death in the Nile and he was venerated as a god under the Roman Empire. By the fifteent [+]

The young Pan
Marble. 130 - 150
Anonymous
The young Pan
Marble. 130 - 150
Anonymous

The musician god Pan originally had a flute rather than the instrument resembling a recorder he now holds. The ungainly later additions - head, hands, legs and tree trunk - distort the graceful origin [+]

Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous
Rock crystal gondola with an enamelled mask on the prow
Gold, Rock crystal / hyaline quartz, Enamel. Ca. 1600
Delabarre, Pierre (Circle Of); Anonymous

A vessel made up of three pieces of rock crystal and three enamelled gold mounts. The body is formed by a boat-shaped piece with a figurehead on the prow consisting of a mask with pointed ears and ram [+]

Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous
Foot and stem fittings of a glass with several missing figures
Gold, Enamel, Epoxy. 1675 - 1700
Anonymous

According to Laurent’s photographs, the vessel, a high cup made in about 1530-40, consisted of four pieces and four enamelled gold mounts, of which two remain. On the cover, among leaves, spirals and [+]

Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous
Heliotrope cup with lionesses’ heads
Gold, Bloodstone, Enamel. 1630 - 1660
Anonymous

Mutilated during the Peninsular War and the robbery of 1918, the volumes of this vessel can now only be appreciated from the case and a historic photograph. It is notable both for the stone used, heli [+]

Case for missing vessel with various figures
Cloth, Leather, Wood. 1690 - 1711
Anonymous
Case for missing vessel with various figures
Cloth, Leather, Wood. 1690 - 1711
Anonymous

This case takes the form of the vessel for which it was made, a Missing vessel with various figures (O50). The exquisite pieces from the Dauphin´s Treasure are complemented by the custom-made cases th [+]

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