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Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This image of King Charles III was paired with a portrait of his wife, Maria Amalia of Saxony (P2201), although the image of the queen was not painted in her presence. Instead, it was invented on the [+]

Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco
Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco

Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu´ [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte superior central del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boceto preparatorio en la Cole [+]

Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura de San Bernardo en segundo término en la parte inferior izquierda del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boc [+]

Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel
Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel

Estudio de un desnudo varonil en pie, casi de perfil, a la izquierda, acodado en un sillar, con la mano izquierda en la cadera. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

Anton Rafael Mengs, Father of the Artist
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa
Anton Rafael Mengs, Father of the Artist
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa

Este retrato se basa en un Autorretrato de Mengs regalado por el pintor a Bernardo de Iriarte, entonces oficial mayor de la Primera Secretaría de Estado, en cuya colección está documentado en 1776 por [+]

Study of a Girl’s Head
Black chalk, Red chalk on laid paper. Ca. 1790
Mengs, Anna María Teresa (Attributed To)
Study of a Girl’s Head
Black chalk, Red chalk on laid paper. Ca. 1790
Mengs, Anna María Teresa (Attributed To)

The inscription, which was probably written by the drawing’s first owner, Valentín Carderera, reads: "Portrait of the Carmona family by D. Ana M. Mengs". This is the most convincing attribution [+]

Anna Maria Teresa Mengs drawing
Black chalk, White chalk on blue laid paper. 1778 - 1792
Salvador Carmona, Manuel
Anna Maria Teresa Mengs drawing
Black chalk, White chalk on blue laid paper. 1778 - 1792
Salvador Carmona, Manuel

Manuel Salvador Carmona was the most important academic engraver in 18th-century Spain. In addition to impressions of his prints, the Museo del Prado also has a large group of his drawings, including [+]

The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel
The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel

This relief or medallion and other three more (E000471, E000474 and E000472), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio; Calcografía Nacional
Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio; Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservado en el Museo Nacional del Prado (P437). Felipe II emparejó este Ecce-Homo con la Dolorosa con las manos abi [+]

The Virgin Dolorosa with her Hands apart
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio; Calcografía Nacional
The Virgin Dolorosa with her Hands apart
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio; Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservado en el Museo Nacional del Prado (P444). Felipe II emparejó esta Mater Dolorosa con el Ecce Homo (P437) en s [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Charles III
Taille douce: etching and engraving on continuous paper. 1783
Salvador Carmona, Manuel
Charles III
Taille douce: etching and engraving on continuous paper. 1783
Salvador Carmona, Manuel

Estampa grabada por Manuel Salvador Carmona que reproduce el óleo pintado por Antón Raphael Mengs, conservado en el Museo Nacional del Prado (P02200). La lámina de cobre se la encargó a Carmona la Sec [+]

Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre; Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert
Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre; Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo; Bueno, León
The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The dead Christ supported by an Angel
Taille douce: etching and engraving on wove paper. 1795
Ballester y Ballester, Joaquín; Ximeno y Planes, Rafael
The dead Christ supported by an Angel
Taille douce: etching and engraving on wove paper. 1795
Ballester y Ballester, Joaquín; Ximeno y Planes, Rafael

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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