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Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This image of King Charles III was paired with a portrait of his wife, Maria Amalia of Saxony (P2201), although the image of the queen was not painted in her presence. Instead, it was invented on the [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura de San Bernardo en segundo término en la parte inferior izquierda del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boc [+]

Anton Rafael Mengs
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa
Anton Rafael Mengs
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa

Este retrato se basa en un Autorretrato de Mengs regalado por el pintor a Bernardo de Iriarte, entonces oficial mayor de la Primera Secretaría de Estado, en cuya colección está documentado en 1776 por [+]

Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel
Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel

Estudio de un desnudo varonil en pie, casi de perfil, a la izquierda, acodado en un sillar, con la mano izquierda en la cadera. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte superior central del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boceto preparatorio en la Cole [+]

The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel
The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel

This relief or medallion and other three more (E000471, E000474 and E000472), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert
Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo -Engraver- (After Romano, Giulio (Giovanni Francesco Penni)); Bueno, León
The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo -Engraver- (After Romano, Giulio (Giovanni Francesco Penni)); Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The dead Christ supported by an Angel
Taille douce: etching and engraving on wove paper. 1795
Ballester y Ballester, Joaquín -Engraver- (After Cano, Alonso); Ximeno y Planes, Rafael
The dead Christ supported by an Angel
Taille douce: etching and engraving on wove paper. 1795
Ballester y Ballester, Joaquín -Engraver- (After Cano, Alonso); Ximeno y Planes, Rafael

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vision of Saint Francis of Assisi
Taille douce: etching and engraving on wove paper. 1797
Ribault, Jean François -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Alcántara, Francisco
Vision of Saint Francis of Assisi
Taille douce: etching and engraving on wove paper. 1797
Ribault, Jean François -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Alcántara, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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