The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
7 results
Saint Dominic presiding over an Auto-da-fe
Oil on panel. 1493 - 1499
Berruguete, Pedro
Saint Dominic presiding over an Auto-da-fe
Oil on panel. 1493 - 1499
Berruguete, Pedro

On a portable rostrum, Saint Dominic and six other judges preside over the auto-da-fe in which some Albigensian heretics are being judged, representing a well-known episode in his biography. Beside hi [+]

Woman condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio
Woman condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio

Wearing a penitent´s hood, a woman condemned by the Inquisition rides a burro, receiving the insults of those observing this street scene. Executed with rapid and impasto brushstrokes favors, this wor [+]

Man condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio
Man condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio

Wearing a penitent´s hood, a man condemned by the Inquisition rides a burro, receiving the insults of those observing this street scene. Executed with rapid and impasto brushstrokes favors, this work [+]

For speaking in a different way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
For speaking in a different way
Brush, Grey-brown ink, Iron gall ink, Black chalk lines, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Many of the drawings from what is known as Album C show prisoners tortured and condemned by the Inquisition. Specifically, the drawings from plates 85 through 114 offer a critical overview consistent [+]

Since she went on talking, they muzzled her and beat her in the face. I saw her, Orosia Moreno, in Zaragoza. Punished because she knew how to make mice
Brush, Pencil, Red chalk, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de
Since she went on talking, they muzzled her and beat her in the face. I saw her, Orosia Moreno, in Zaragoza. Punished because she knew how to make mice
Brush, Pencil, Red chalk, Grey-brown ink, Iron gall ink, Wash on laid paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

People in Sacks
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de
People in Sacks
Etching, Aquatint, Burnisher on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de

Disparates, 8, People in Sacks [+]

Those specks of dusts
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Those specks of dusts
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Goya ha reproducido en esta estampa un Autillo o penitencia pública, y el sentido de su título, indica claramente que ha querido satirizar las actividades de la Inquisición y las costumbres que ésta e [+]

Up