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The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Oil on canvas. 1589
Prado, Blas de
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Oil on canvas. 1589
Prado, Blas de

A high surface acts as a sort of altar bearing an image of the Virgin and Child with Saint Joseph behind them. Saint John the Evangelist and Saint Ildephonsus stand at a lower level in front, flanking [+]

Saint Basil
Oil on canvas. Second third of the XVII century
Anonymous
Saint Basil
Oil on canvas. Second third of the XVII century
Anonymous

This canvas represents the full body of a bishop from the front, wearing an alb, a rich brocade chasuble and a mitre. He appears in a meditative pose while reading a book, which he holds in his left h [+]

Saint John the Baptist
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del
Saint John the Baptist
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del

The figure depicted here is recognizable as Saint John the Baptist by his clothing, the lamb that accompanies him, the cross with its banner, the stream running at his feet and the shell with water al [+]

Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous
Altarpiece of Saint Christopher
Tempera on panel. Late XIII century
Anonymous

This small altarpiece, divided into three horizontal and three vertical rows, is dedicated to Saint Christopher, who protects against sudden death. His image occupies the central row, which is topped [+]

Saint's head (Saint Peter?)
Oil on canvas. 1635 - 1640
Guido, Giuseppe Di
Saint's head (Saint Peter?)
Oil on canvas. 1635 - 1640
Guido, Giuseppe Di

La pintura, probablemente recortada, es en realidad un producto napolitano, cuyos rasgos de robusto realismo denuncian de inmediato una deuda con los modelos seniles de José de Ribera desarrollados a [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

Partial copy of Michelangelo’s Last Judgment
Black chalk on yellow paper. XVI century
Becerra, Gaspar
Partial copy of Michelangelo’s Last Judgment
Black chalk on yellow paper. XVI century
Becerra, Gaspar

This drawing is a copy of the rightmost group from the Choir of the Chosen in Michelangelo’s Last Judgement. It was made before Daniele da Voterra’s intervention, as Saint Catherine appears entirely n [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX [+]

Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 5, Two of a Kind is part of The Caprichos. The subject matter was common in depictions of that period. At first glance, the preparatory drawing might seem to be a simple genre scene—a lady be [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). El título que aparece en la estampa es La Virgen y otros [+]

Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish Golden Age and moralising texts from the En [+]

Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Of what illness will he die?
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 40, Of what illness will he die? In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish G [+]

Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Here comes the bogey-man.
Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Los Caprichos is the most widely disseminated of Goya´s series of prints and consists of 80 plates. They were published in 1799, following a creative process that began in 1794 with two sets of drawin [+]

The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family, Saint Ildephonsus, Saint John the Evangelist and Master Alonso de Villegas
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Blas de Prado conservado en el Museo Nacional del Prado (P01059). Esta estampa se entregaba con el cuadernillo CXXIX acompa [+]

Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany wood, Walnut wood, Pinewood. 1786
Anonymous
Model of Juan de Villanueva’s project for the Cabinet of Natural History
Lemonwood, Boxwood, Mahogany wood, Walnut wood, Pinewood. 1786
Anonymous

This model provides a general idea of the another “proposal” presented by Villanueva to Charles III in 1786 -the plans have since been lost- for the construction of a Cabinet of Natural History, a bui [+]

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