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The Adoration of the Shepherds
Oil on canvas. Early XVIII century
Palomino y Velasco, Acisclo Antonio
The Adoration of the Shepherds
Oil on canvas. Early XVIII century
Palomino y Velasco, Acisclo Antonio

Composición dividida en dos partes: la inferior o terrenal, con los personajes de la Virgen, el Niño, San José y los pastores con ofrendas y la superior o celestial, con un grupo de ángeles portadores de una filacteria con el lema "Gloria in excelsis Deo". Se observa un desequilibrio entre el tamaño de los ángeles y el de los personajes de la parte inferior, pero no es el único caso en el que Palo

Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente
Charles IV and his Family honoured by the University of Valencia
Oil on canvas. 1802
López Portaña, Vicente

During his visit to Valencia in 1802, the Literary University of the city gave the King this painting which shows the university, personified as a young matron, introducing the royal family to the various faculties: Theology, Law, Philosophy and Medicine. They are accompanied by the goddess Minerva, who points to Peace, Victory and Abundance, who fly over this symbolic reception.

Christ in Glory with Saints
Oil on canvas. 1660 - 1661
Preti, Mattia
Christ in Glory with Saints
Oil on canvas. 1660 - 1661
Preti, Mattia

A Triumphant Christ appears to a group of saints among whom are Saints Jerome, Francis and Mary Magdalene. It is not known what church this work was painted for, although it is clear that it was meant to be hung at a quite high. Preti was a prolific painter who worked in Rome, Naples and Malta, where he was knighted and where he probably painted this work.

The Vision of Saint Francis of Paola
Oil on canvas. Last quarter of the XVII century
Jiménez Donoso, José
The Vision of Saint Francis of Paola
Oil on canvas. Last quarter of the XVII century
Jiménez Donoso, José

He is portrayed wearing the usual vestment of the Order: a hood, a long beard and leaning on a staff in the shape of a Greek tau. The figure of the saint, depicted in a pronounced diagonal, stops while traversing uneven terrain. He looks up and points to the sky on the left side of the scene. Behind him, a Minim friar carries one sick man on his shoulders while another one leans on the ground and

Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de
Josefa Manzanedo e Intentas de Mitjans, 2nd Marchioness of Manzanedo
Oil on panel. 1875
Madrazo y Garreta, Raimundo de

After establishing himself in Paris as portrait painter to the elegant and cosmopolitan high society of his time, Raimundo de Madrazo cultivated a particularly abundant clientele among the great ladies of the French capital. A posterior trip to America allowed him to expand his client base to include the leading families of New York. In the 1870s, when Raimundo was beginning to make a place for hi

Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado
Paradise
Oil on canvas. 1754 - 1757
Giaquinto, Corrado

Corrado Giaquinto had frequent contacts with Spain as of 1735 or earlier. But the death of Jacopo Amigoni in 1752 led to his being summoned to Madrid the next year. During his stay in the Spanish Court, he earned the highest honors given to a painter in that era. He became First Painter to the Court in August 1753 and director of the Academy of San Fernando that December. His main mission was the

Queen Maria Luisa on Horseback
Oil on canvas. 1799
Goya y Lucientes, Francisco de
Queen Maria Luisa on Horseback
Oil on canvas. 1799
Goya y Lucientes, Francisco de

An equestrian portrait of Queen Maria Luisa of Parma (1751-1818), the wife of King Carlos IV (1748-1819), wearing the uniform of a colonel of the Guardia de Corp. This painting was made as a pair to the equestrian portrait of the King, which is also at the Prado Museum (P00719). Goya admirably emphasizes the Queen´s strong personality. She mounts “Marcial,” a horse given her by Manuel Godoy (1767-

Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco
Virgin in Heaven
Oil on canvas. Second half of the XVI century
Bassano, Francesco

This work is a variation on the painting executed by Jacopo towards 1580 for the main altar of the church of the Capuchins in Bassano del Grappa (Museo Civico, inv. 18), a large work (237 x 155 cm) with over fifty figures that constitutes una sorta di compendio di tutte le positure fatte da Jacopo Bassano per le sue opere (Marini: 1992, p. 298), and which was inspired by Titian´s La Gloria (P432),

The Holy Family of Cardinal Fernando de’ Medici
Oil on canvas. 1584
Allori, Alessandro
The Holy Family of Cardinal Fernando de’ Medici
Oil on canvas. 1584
Allori, Alessandro

Cardinal Fernando de’ Medici gave this canvas to the Minorite seminary of San Francisco de Paula, the saint who kneels in the foreground. The seminary, in Alcalá de Henares, was founded by the influential wife of Bartolomé de Santoyo, Keeper of the King’s Jewels and Royal Secretary. The canvas reflects the new style developed by the painter Santi di Tito in Florence from 1575 onwards

The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de
The Family of Carlos IV
Oil on canvas. 1800
Goya y Lucientes, Francisco de

This portrait of the family of King Carlos IV (1748-1819) was painted in Aranjuez and Madrid in the spring and summer of 1800, shortly after Goya was named First Chamber Painter. It clearly show´s the artist´s mastery at individualizing characters. The forerunners to this complex composition are Louis-Michel van Loo´s Portrait of Felipe V and his Family (P02283) and Velázquez´s Las Meninas

Saint Francis of Paola
Oil on canvas. Last third of the XVII century
Murillo, Bartolomé Esteban
Saint Francis of Paola
Oil on canvas. Last third of the XVII century
Murillo, Bartolomé Esteban

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as Illustrious Poet (March 25, 1855).

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