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Saint Judas Thaddaeus
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint Judas Thaddaeus
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most important series is the one that Ribera painted around 1630. It is mentioned for the first time in the Royal Collection towards the end of the eighteenth century and is made up of paintings of varying qua

The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino
The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino

Together with his brother Annibale and his cousin Ludovico, Agostino Carracci founded the so-called Accademia degli Incamminati in Bologna. Its teachings promoted the study of nature and the work of the great Renaissance masters in order to avoid the overly-complex forms of Mannerist painting. While the colouring and handling of this canvas are influenced by Tintoretto, the monumental figures of t

The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous
The Mystic Marriage of Saint Catherine, with Saint Ursula and a Donor
Oil on panel. Ca. 1520
Anonymous

This composition retains the structure of traditional triptychs, but the landscape links the three panels together to form a single scene, thus including the pilgrim-donor and Saint Ursula in the Mystic Marriage. The landscape includes scenes relating to the respective figures: walking pilgrims, the martyrdom of Saint Catherine, the Massacre of the Innocents and the Flight into Egypt.

The Virgin Reading
Oil on canvas. XVII century
González de la Vega, Diego
The Virgin Reading
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are this The Virgin Reading, Saint Peter (P3248), Saint Paul (P5472), Saint John the Evangelist (P4021)

Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián
Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián

Saint Joseph grasps Jesus’s arm to prevent him from taking fruit from the basket. This action is loaded with meaning, given the sacrificial and Eucharistic significance of both the Child’s violet tunic and the grapes and pomegranates that predominate in the fruit basket. The painter, who is now getting better known, worked in Jaen and at Court in Madrid in the mid-seventeenth century.

The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca
The Kiss of Judas
Oil on copperplate. After 1655
Giordano, Luca

Esta pintura ha sido relacionada con Durero (1471-1528) y con Lucas de Leiden (1494-1533). Supone un sobresaliente ejercicio de estilo que manifiesta su atenta observación de originales alemanes del siglo XV, cuya técnica Giordano intentó imitar. En ella Giordano aplicó una pincelada minuciosa y precisa de trazos cortos que reproducen con rigurosa exactitud el aspecto de los objetos, la incidencia

Saint Thomas
Oil on canvas. XVII century
González de la Vega, Diego
Saint Thomas
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are The Virgin Reading (P3392), Saint Peter (P3248), Saint Paul (P5472), San Juan Evangelista (P4021),

Saint John the Evangelist
Oil on canvas. XVII century
García Salmerón, Cristóbal
Saint John the Evangelist
Oil on canvas. XVII century
García Salmerón, Cristóbal

Forma parte de uno de los Apostolados pintados por este artista, cuyos ejemplares conocidos ofrecen una diversa calidad, tales como los que se conservan en el Museo Diocesano de Valladolid y en el Monasterio de Poblet (Tarragona), además de diversas copias. Las figuras de los apóstoles sostienen en sus manos sus atributos correspondientes y un papel o cartela con versículos del Credo. Respaldada p

Saint Matthew
Oil on panel. 1610 - 1612
Rubens, Peter Paul
Saint Matthew
Oil on panel. 1610 - 1612
Rubens, Peter Paul

This is one of a series of twelve panels (P01646, P01647, P01648, P01649, P01650, P01651, P01652, P01653, P01654, P01655, P01656, P01657) that make up an apostolate that originally included a Savior of the World. The disciples of Christ are represented in the style the painter used around 1612-1613. These are large figures of forceful appearance and considerable plasticity, contrasting with the da

Saint Matthew
Oil on canvas. XVII century
González de la Vega, Diego
Saint Matthew
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are The Virgin Reading (P3392), Saint Peter (P3248), Saint Paul (P5472), San Juan Evangelista (P4021),

Saint John the Evangelist
Oil on canvas. XVII century
González de la Vega, Diego
Saint John the Evangelist
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are The Virgin Reading (P3392), Saint Peter (P3248), Saint Paul (P5472), this Saint John the Evangelist

Saint Peter
Oil on canvas. XVII century
González de la Vega, Diego
Saint Peter
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are The Virgin Reading (P3392), this Saint Peter, Saint Paul (P5472), San Juan Evangelista (P4021), Sai

Saint Paul
Oil on canvas. XVII century
González de la Vega, Diego
Saint Paul
Oil on canvas. XVII century
González de la Vega, Diego

This work is part of a series of Apostles executed by Diego González de la Vega for the Oratory of Parents of El Salvador, Madrid (Spain). When they entered the Museo de la Trinidad (1838) were listed as anonymous. Along with other works, now destroyed, the canvases at the Museo del Prado are The Virgin Reading (P3392), Saint Peter (P3248), this Saint Paul, Saint John the Evangelist (P4021)

Martyrdom of St. Judas Taddeus
Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1585
Poccetti, Bernardino Barbatelli
Martyrdom of St. Judas Taddeus
Pencil, Grey-brown ink, Wash on dark yellow paper. Ca. 1585
Poccetti, Bernardino Barbatelli

Poccetti was one of the leading Florentine painters of the early seventeenth century. Largely thanks to his youthful association with the group of painters around Santi di Tito, Poccetti soon began to practice a more naturalistic style of painting, which was in reaction to the then prevailing style of Mannerism. Not long after his visit to Rome in 1578-1580, he began work for the Oratorio della Co

St. Jude Thaddeus
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
St. Jude Thaddeus
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampas del Museo del Prado.Probablemente fue grabada entre 1789, fecha en que se le revalidó el título de Grabador de Cámara de S.M. y 1795, en la que hace referencia a esta serie en su Autobiografía (Rodr

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

St. Jude Thaddeus
Etching, Burin on laid paper. 1789 - 1795
Salvador Carmona, Juan Antonio
St. Jude Thaddeus
Etching, Burin on laid paper. 1789 - 1795
Salvador Carmona, Juan Antonio

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampas del Museo del Prado. Probablemente fue grabada entre 1789, fecha en que se le revalidó el título de Grabador de Cámara de S.M. y 1795, en la que hace referencia a esta serie en su Autobiografía (Rod

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