The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
9 results
The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1510
Titian (Tiziano Vecellio)
The Virgin and Child between Saints Anthony of Padua and Roch
Oil on canvas. Ca. 1510
Titian (Tiziano Vecellio)

This work was first recorded in 1641 as a work by Titian belonging to the Duke of Medina de las Torres in Naples. It was, however, attributed to Giorgione for centuries until Wilhelm Schmidt again att [+]

Saint Andrew
Oil on canvas. Ca. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint Andrew
Oil on canvas. Ca. 1631
Ribera, Jusepe de, lo Spagnoletto

A man stands before a dark background, portrayed more than half-length with his torso bare and his hair and beard white from age. With his left hand he holds a cross and with his right he holds a hook [+]

The Virgin and Child with Saints Dorothy and George
Oil on panel. 1515 - 1518
Titian (Tiziano Vecellio)
The Virgin and Child with Saints Dorothy and George
Oil on panel. 1515 - 1518
Titian (Tiziano Vecellio)

The authorship, dating and iconography of this work are all controversial. It was described as being by Titian in the Libro de entregas of the Escorial in 1593, an opinion maintained by Sigüenza [+]

Saint Roch
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint Roch
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

Roch is identifiable by the pilgrim’s hat and staff, his naked, wounded thigh, and the dog that carries a piece of bread in its mouth and waits by its master. In Ribera’s time they were well-known att [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous
The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous

Another directly corresponding School version of this drawing was formerly in the Suida Manning Collection, New York, and is now in the Jack S. Blanton Museum of Art, at the University of Texas, Austi [+]

Saint Roch Curing the Animals
Pencil, Pencil ground, Grey-brown ink on paper. Second half of the XVII century
Lefevre, Valentin
Saint Roch Curing the Animals
Pencil, Pencil ground, Grey-brown ink on paper. Second half of the XVII century
Lefevre, Valentin

The composition is taken from Tintoretto´s painting of the subject in the church of S. Rocco, Venice. The copyist is uniquestionably Valentin Lefèvre, a Flemish painter and draftsman who worked [+]

The Virgin and Child with Saints
Pencil, Grey wash, Grey-brown ink on dark yellow paper. First half of the XVIII century
Anonymous
The Virgin and Child with Saints
Pencil, Grey wash, Grey-brown ink on dark yellow paper. First half of the XVIII century
Anonymous

La composición, terminada en medio punto. En la gloria la Virgen sentada con el Niño; más abajo, sobre nubes, un santo obispo con varios ángeles, y en tierra, San Roque, arrodillado de perfil hacia la [+]

the Madonna di Loreto, with Sts. Sebastian and Roch, appearing before a crowd of monks and pilgrims [Members of the Third Order of St. Francis (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous
the Madonna di Loreto, with Sts. Sebastian and Roch, appearing before a crowd of monks and pilgrims [Members of the Third Order of St. Francis (?)]
Pencil, Grey-brown ink, Wash on paper. Late XVI century
Anonymous

The arms of Pope Sixtus V appear in the middle of the base. To either side of the arms are two empty escutcheons, each surmounted by a Cardinal´s hat, as if the particulars of the two cardinal donors [+]

Up