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The Visitation
Oil on panel. Ca. 1500
Master Of Perea
The Visitation
Oil on panel. Ca. 1500
Master Of Perea

This is a scene from the New Testament (Luke 1, 39-56) when the Virgin Mary is pregnant with Jesus. Accompanied by Saint Joseph, she goes to visit her cousin, Elizabeth, who is pregnant with Saint Joh [+]

Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías
Self-portrait
Oil on canvas. 1810 - 1813
González Velázquez, Zacarías

A member of a dynasty of artists that began with his grandfather, the sculptor Pablo González Velázquez (1664-1727), Zacarías González Velázquez initially trained wi [+]

The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías
The Painter Antonio González Velázquez
Oil on canvas. 1785 - 1788
González Velázquez, Zacarías

Son of the sculptor Pablo González Velázquez, a number of Antonio’s children also became artists. He trained in Rome with Corrado Giaquinto (1703-1766), achieving a notable command of fr [+]

Retable of Saints John the Baptist and Catherine
Oil, Tempera on panel. 1410 - 1425
Sevilla, Juan de (After); Juan Soreda
Retable of Saints John the Baptist and Catherine
Oil, Tempera on panel. 1410 - 1425
Sevilla, Juan de (After); Juan Soreda

This is the central panel of an altar piece from Siguenza Cathedral, part of which is preserved in the sacristy. It was made up of ten panels distributed into five vertical sections and a predella. Th [+]

The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa
The Birth of Saint John the Baptist
Oil on canvas. Ca. 1635
Gentileschi, Artemisa

This canvas is one of a series of scenes from the life of Saint John the Baptist commissioned in Naples from Artemisa Gentileschi, Massimo Stanzione (The Birth of John the Baptist announced to Zachari [+]

The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
The Visitation / Saint Jerome in Penitence
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel was part of The Nativity Altarpiece formerly in the monastery of Guisando (Avila). It depicts the meeting between Mary and her cousin Saint Elizabeth, both of them pregnant, the former with [+]

Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan
Zechariah
Grisaille, Oil on oak panel. Ca. 1510
Provost, Jan

This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]

Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás
Altarpiece of the Lives of the Virgin and Saint Francis
Oil, Tempera on panel. 1445 - 1460
Francés, Nicolás

This altarpiece consists of nine large panels plus the eighteen that make up the predella. The main scene is The Virgin with the Christ Child surrounded by Angel Musicians, which is completed with fiv [+]

The Birth of Saint John the Baptist
Oil on canvas. 1628 - 1629
Sacchi, Andrea
The Birth of Saint John the Baptist
Oil on canvas. 1628 - 1629
Sacchi, Andrea

The Infant Baptist is attended by four women while Zacharias thanks the heavens for the birth of his son. In the middle ground is Saint Elizabeth. The intense colours allow the painting to be dated to [+]

The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The painting shows a luxurious domestic interior. The window at the far end contains a stained glass scene of the Anunciation, an allusion to Christ’s incarnation. The Virgin Mary receives the baby Sa [+]

The Visitation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Visitation
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

[+]

The Visitation
Oil on panel. 1540 - 1545
Macip, Vicente
The Visitation
Oil on panel. 1540 - 1545
Macip, Vicente

This is a scene from The Visitation, with Saint Elizabeth kneeling in homage to Mary, as is customary in Italian art since Ghirlandaio. Zachariah and Saint Joseph stand behind them. The dynamic postur [+]

The Birth of John the Baptist announced to Zacharias
Oil on canvas. Ca. 1635
Stanzione, Massimo
The Birth of John the Baptist announced to Zacharias
Oil on canvas. Ca. 1635
Stanzione, Massimo

An angel announces to the elderly Zacharias the birth of his son, John the Baptist. The painting is one of a series of six canvases on the life of that saint, four of them by Stanzione: The Birth of J [+]

Saint John the Baptist leaving his Father’s House
Oil on canvas. 1634 - 1635
Stanzione, Massimo
Saint John the Baptist leaving his Father’s House
Oil on canvas. 1634 - 1635
Stanzione, Massimo

The painting is one of a series of six canvases on the life of that saint, four of them by Stanzione: The Birth of John the Baptist announced to Zacharias (P256), The Preaching of Saint John the Bapti [+]

The Preaching of Saint John the Baptist
Oil on canvas. Ca. 1635
Stanzione, Massimo
The Preaching of Saint John the Baptist
Oil on canvas. Ca. 1635
Stanzione, Massimo

The painting is one of a series of six canvases on the life of that saint, four of them by Stanzione: The Birth of John the Baptist announced to Zacharias (P256), The Preaching of Saint John the Bapti [+]

The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1635
Stanzione, Massimo
The Beheading of Saint John the Baptist
Oil on canvas. Ca. 1635
Stanzione, Massimo

The painting is one of a series of six canvases on the life of that saint, four of them by Stanzione: The Birth of John the Baptist announced to Zacharias (P256), The Preaching of Saint John the Bapti [+]

Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea
Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea

The old attribution to Ansaldo is unquestionably correct, and the economical pen-and-wash style corresponds precisely with that of his documented drawings in the same technique, for example the Birth [+]

The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)
The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)

Delante de un fondo arquitectónico la Virgen y Santa Isabel tienden las manos la una hacia la otra mientras Zacarías, a la sombra de la puerta situada a la derecha, y San José, a la izquierda, las con [+]

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