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Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di
Elephants in a Circus
Oil on canvas. Ca. 1640
Lione, Andrea Di

As frequently occurred in the cycle on the History of Ancient Rome commissioned for the decoration of the Buen Retiro Palace, Andrea di Lione drew elements of his painting from the abundant Antiquaria [+]

The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista
The Penitent Magdalene in the Grotto of Sainte-Baume
Oil on panel. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Heliotrope cup with two gold masks, Cup with a lid supported by a female figure, Bloodstone vessel with three gold-coloured dolphins
Albumen on photographic paper. Ca. 1879
Anonymous; Laurent y Minier, Juan
Heliotrope cup with two gold masks, Cup with a lid supported by a female figure, Bloodstone vessel with three gold-coloured dolphins
Albumen on photographic paper. Ca. 1879
Anonymous; Laurent y Minier, Juan

[+]

Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous
Christ crucified
Red chalk, White chalk on dark toned paper. XVIII century
Anonymous

Dibujo en el que se representa a Cristo crucificado con la cabeza alzada, vuelta a la izquierda y tres clavos.Parece copia de escultura, a la que se ha suprimido la cruz. (Texto extractado de Pérez Sá [+]

The Virgin Dolorosa
Red chalk on yellow laid paper. XVIII century
Anonymous
The Virgin Dolorosa
Red chalk on yellow laid paper. XVIII century
Anonymous

Recuadrado cuidadosamente como para estampa. El Dibujo representa a la Dolorosa de frente, con las manos cruzadas sobre el regazo y la cabeza ligeramente inclinada. (Texto extractado de Pérez Sánchez, [+]

Saint Jerome (¿?)
Red chalk on dark yellow paper. First half of the XVII century
Baglione, Giovanni
Saint Jerome (¿?)
Red chalk on dark yellow paper. First half of the XVII century
Baglione, Giovanni

On Brun´s (?) mount, with his inscription below the drawing: D. ZAMPIERI. The attribution to Domenichino (1581-1641) is unsustainable. However, there are strong similarities to studies in red chalk by [+]

Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous
Saint Sebastian
Red chalk on laid paper. XVIII century
Anonymous

Copia del siglo XVIII de la obra de Ribera del lienzo San Sebastian curado por las Santas Mujeres (1621), en el Museo de Bilbao. El cuadro perteneció al marqués de Leganés y estuvo en la Sala Capitula [+]

Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous
Christ on the Cross
Red chalk on yellow paper. Early XVI century
Anonymous

The figure type and the finished style of drawing suggest the work of the Lombard painters Bernardino Luini (c. 1480/85-1532) or Andrea Solario (c. 1465-1524). A number of weaknesses in the handling, [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

Urania
Red chalk, White chalk on dark toned paper. Before 1769
Bayeu, Francisco
Urania
Red chalk, White chalk on dark toned paper. Before 1769
Bayeu, Francisco

Cabeza de tres cuartos a la izquierda y en escorzo visto desde abajo. Probablemente para la figura de Urania en la parte inferior derecha de la bóveda del fresco la Apoteosis de Hércules, pintado ant [+]

Academic drawing
Black chalk, White chalk on green paper. 1765 - 1768
Batoni, Pompeo
Academic drawing
Black chalk, White chalk on green paper. 1765 - 1768
Batoni, Pompeo

Pompeo Batoni was the leading exponent of Roman classicism during the second half of the eighteenth century along with Anton Raphael Mengs. Following initial training in his native Lucca, Batoni studi [+]

Life study
Red chalk, White chalk on brown paper. XVIII century
Gandolfi, Ubaldo
Life study
Red chalk, White chalk on brown paper. XVIII century
Gandolfi, Ubaldo

El modelo, sentado sobre unos ropajes, de perfil hacia la derecha. Alza el brazo derecho por encima de la cabeza y apoya el otro en su pierna izquierda. Más cercano al estilo de Ubaldo, que tiene toda [+]

The Incredulity of Saint Thomas
Red chalk on dark yellow paper. 1601 - 1625
Anonymous
The Incredulity of Saint Thomas
Red chalk on dark yellow paper. 1601 - 1625
Anonymous

Dibujo en el que se representa a las figuras de tres cuartos, a la derecha Cristo se inclina hacia Santo Tomás que, de medio perfil, alarga su mano hacia la herida del costado. Es de la escuela boloñe [+]

Saint Dominic de Guzmán
Black chalk, Red chalk on dark toned paper. XVII century
Rizi, Francisco
Saint Dominic de Guzmán
Black chalk, Red chalk on dark toned paper. XVII century
Rizi, Francisco

El Santo aparece arrodillado sobre una grada; parece adoptar el gesto de asir con su mano derecha el Rosario que le ofrece la Virgen, cuya silueta aparece sólo apuntada en el lado izquierdo de la comp [+]

Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)
Winged Angel Flying to the Right
Red chalk, Pencil strokes on yellow paper. Second half of the XVI century
Alberti, Cherubino (Attributed To)

Inscribed in brown ink on a strip of paper pasted at the bottom of the sheet: CHERUBINUS ALBERTIUS PICTOR ET ARCHITEC. FECIT QUI VIX AN. LXIII. DEC. MDCXV. The eighteenth-century inscription written o [+]

Angel
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco
Angel
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco

Dibujo preparatorio para la figura de un Ángel en la parte superior central del fresco de la bóveda de la Regina Santorum Omnium ante la Santa Capilla y su coreto, de la Basílica del Pilar de Zaragoza [+]

The Virgin
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco
The Virgin
Red chalk, White chalk on dark toned paper. 1775
Bayeu, Francisco

Dibujo preparatorio para la figura principal de la bóveda de la Regina Santorum Omnium ante la Santa Capilla y su coreto, de la Basílica del Pilar de Zaragoza. El boceto para el fresco se encuentra en [+]

The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous
The Assumption of the Virgin
Chalk ground, Reed pen on yellow paper. XVII century
Anonymous

La Virgen semiarrodillada en una nube que sostiene cuatro ángeles mancebos, abre los brazos y alza la cabeza hacia el Padre Eterno, que aparece con los brazos abiertos en el ángulo superior derecho. A [+]

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