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Saint Jerome (¿?)
Red chalk on dark yellow paper. First half of the XVII century
Baglione, Giovanni
Saint Jerome (¿?)
Red chalk on dark yellow paper. First half of the XVII century
Baglione, Giovanni

On Brun´s (?) mount, with his inscription below the drawing: D. ZAMPIERI. The attribution to Domenichino (1581-1641) is unsustainable. However, there are strong similarities to studies in red chalk by [+]

Charity / The Virgin and Saint Elizabeth
Red chalk on blue paper. XVI century
Cesi, Bartolomeo (Attributed To)
Charity / The Virgin and Saint Elizabeth
Red chalk on blue paper. XVI century
Cesi, Bartolomeo (Attributed To)

The rather dry technique of drawing in red chalk on light blue-grey paper suggest the work of the Bolognese painter Bartolomeo Cesi, who travelled to Rome in 1591, thought he may have visited the city [+]

Studies of Figures
Pencil, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo
Studies of Figures
Pencil, Grey-brown ink on yellow paper. 1560 - 1570
Passerotti, Bartolomeo

The study at the top of the sheet is copied from the torso of Michelangelo´s Risen Christ in S. Maria sopra Minerva, Rome, commissioned in 1514. In the statue, Christ holds the sponge, or cloth, impre [+]

Sts. Monica and Augustine
Pencil, Grey-brown ink on paper. XVI century
Anonymous
Sts. Monica and Augustine
Pencil, Grey-brown ink on paper. XVI century
Anonymous

Thanks to the old inscription, it is possible to identify the design as that of Muziano´s lost painting, formerly in the sacristy of S. Agostino, Rome. The drawing thus preserves a visual record of th [+]

St. Paul Raising Patroclus
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVIII century
Anonymous
St. Paul Raising Patroclus
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVIII century
Anonymous

This is a copy after the fresco by Antonio Campi, datable 1560-64, in S. Paolo Converso, Milán. The late eighteenth-century Italian copyist may have been the same as was responsible for the dra [+]

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