The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
14 results
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Pietà
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietà
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01475). Esta estampa se entregaba con el cuadernillo CXXVI e i [+]

Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01475). El título que aparece en la estampa es Jesus muerto en [+]

Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01475). Esta estampa se entregaba con el cuadernillo CXXVI aco [+]

Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Pietà
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Palmaroli, Cayetano -Lithographer- (After Dyck, Anthony Van); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el lienzo de Anton van Dyck conservado en el Museo Nacional del Prado (P01475). Esta estampa se entregaba con el cuadernillo CXXVI aco [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

Mary Magdalene
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guerrero, Antonio -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary Magdalene
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guerrero, Antonio -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Noli me tangere
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Costa, Fernando de la -Lithographer- (After Poussin, Nicolas); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Noli me tangere
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Costa, Fernando de la -Lithographer- (After Poussin, Nicolas); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Fernando de la Costa (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02306). De esta estampa existen poco [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Up