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The Apostle Saint James
Oil on panel. Ca. 1507
Flandes, Juan de
The Apostle Saint James
Oil on panel. Ca. 1507
Flandes, Juan de

Saint James the Elder is depicted as a pilgrim, with his customary crozier or staff, although here it lacks the customary calabash for water. He wears a cape and a hat with the scallop shell that symb [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Peter Paul
Equestrian Portrait of the Duke of Lerma
Oil on canvas. 1603
Rubens, Peter Paul

Felipe III´s favorite, Francisco de Sandoval y Rojas, Marquis of Denia and First Duke of Lerma is shown as chief of the Spanish Armies. Wearing half armor, he rides a white steed and carries a r [+]

Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)
Portrait of a Knight of the Order of Santiago
Oil on panel. Ca. 1560
Juanes, Juan de (Vicente Juan Masip)

Purchased by Charles IV, this portrait entered the royal collections in 1814 and was already listed in the Museo del Prado’s catalogs in 1854 as a work by Juan de Juanes. The identity of the sitter ha [+]

The Birth of Venus
Oil on canvas. 1842
Esquivel, Antonio María
The Birth of Venus
Oil on canvas. 1842
Esquivel, Antonio María

The delicate figure of Venus, goddess of love and beauty, rises out of the waves on a large scallop shell supported by naiads crowned with seaweed. Using a refined technique, Esquivel respects the cla [+]

General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de
General Antonio Ricardos
Oil on canvas. 1793
Goya y Lucientes, Francisco de

The illustrious soldier, Antonio Ricardos y Carrillo, is depicted by Goya in the battle dress of a Captain General, with the sash of the Order of Carlos III and the plaque of that same order on his dr [+]

Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente
Maria Cristina of Bourbon, Queen of Spain
Oil on canvas. 1830
López Portaña, Vicente

This wedding portrait by Vicente López depicts Ferdinand VII’s fourth and final wife, his niece Maria Cristina. All three of his previous spouses, María Antonia of Bourbon (1784-1806), M [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

The Baptism of Christ
Oil on panel. 1575 - 1580
Schwarz, Christoph
The Baptism of Christ
Oil on panel. 1575 - 1580
Schwarz, Christoph

Formerly attributed to Lambert Sustris, this panel is now given to the German painter Schwarz. Both these northern European artists worked in Venice in Titian’s studio (Schwarz between 1570 and 1573), [+]

Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el [+]

The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Apostle James can be identified by the pilgrim’s staff in his right hand and the cockle shell on his breast. Standing firmly before a dark background, his face and powerful body indicate the lesso [+]

Saint James the Greater
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1630 - 1635
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Vicente Camarón (1803-1864) que reproduce el lienzo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00964). Esta estampa se entregaba con el cuadernillo C [+]

The Baptism of Christ
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Carducho, Vicente); Turchi, Alessandro (Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Baptism of Christ
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Carducho, Vicente); Turchi, Alessandro (Attributed To); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce el lienzo de Alessandro Turchi conservado en el Museo Nacional del Prado (P05133). La atribución a este pinto [+]

The Baptism of Christ
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Carducho, Vicente); Turchi, Alessandro (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Baptism of Christ
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Carducho, Vicente); Turchi, Alessandro (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce el lienzo de Alessandro Turchi conservado en el Museo Nacional del Prado (P05133). La atribución a este pinto [+]

The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Infant Christ and Saint John the Baptist with a Shell
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1932
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Vicente Camarón (1803-1864) que reproduce el lienzo de Bartolomé Esteban Murillo conservado en el Museo Nacional del Prado (P00964). Esta estampa se entregaba con el cuadernillo C [+]

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

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