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Bermudo I of Asturias
Oil on canvas. Ca. 1852
Lozano, Isidoro
Bermudo I of Asturias
Oil on canvas. Ca. 1852
Lozano, Isidoro

Bermudo I, called the Deacon or the Monk (c. 750-797), was the King of Asturias from 788 or 789 until his abdication in 791. The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the su

John II of Castile
Oil on canvas. 1848
Prats y Velasco, Francisco
John II of Castile
Oil on canvas. 1848
Prats y Velasco, Francisco

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio
The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio

Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized like a large stage set, using the infant Saint John and an adjacent lamb to invite the viewer to participate. The dynamic and complex composition with its brilliant and expansive colors recalls models f

Henry III of Castile, the Mourne
Oil on canvas. 1848
Ortega Matamoros, Calixto
Henry III of Castile, the Mourne
Oil on canvas. 1848
Ortega Matamoros, Calixto

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de
Ferdinand VII in Court Dress
Oil on canvas. 1814 - 1815
Goya y Lucientes, Francisco de

Born in 1784 in El Escorial, Fernando VII was Carlos IV eldest son by Maria Luisa. In 1815, after abolishing the Constitution, he reined as an absolute monarch. He appears wearing the symbols of his royal condition, with a purple, ermine-lined robe, and a scepter with the coat of arms of Castile and Leon in his right hand. The sash of the Order of Carlos III crosses his chest, and he also bears th

Chindasuinth
Oil on canvas. 1854
Barroeta y Anguisolea, Juan de
Chindasuinth
Oil on canvas. 1854
Barroeta y Anguisolea, Juan de

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Queen Isabella the Catholic
Oil on canvas. Ca. 1848
Madrazo y Kuntz, Luis de
Queen Isabella the Catholic
Oil on canvas. Ca. 1848
Madrazo y Kuntz, Luis de

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Henry IV of Castile
Oil on canvas. Ca. 1848
Sainz, Francisco
Henry IV of Castile
Oil on canvas. Ca. 1848
Sainz, Francisco

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ramiro I, rey de Asturias
Oil on canvas. 1852
Lozano, Isidoro
Ramiro I, rey de Asturias
Oil on canvas. 1852
Lozano, Isidoro

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Chastity
Oil on canvas. 1770 - 1771
Castillo, José del
Chastity
Oil on canvas. 1770 - 1771
Castillo, José del

Paired with (P07726, P07727 y P07728). These are sketches for cartoons for tapestries intended to adorn the King’s Antechamber known as the “Pieza de Conversación” in the Royal Palace of Madrid. Based on the allegories painted by Corrado Giaquinto for the equivalent room in the Palace at Aranjuez, they are notable for the apocalyptic symbols, such as the dove of the Holy Sprit conveying God

Louis XVI of France
Oil on canvas. 1778 - 1779
Callet, Antoine-François
Louis XVI of France
Oil on canvas. 1778 - 1779
Callet, Antoine-François

Son of Louis Fernande, Dauphin of France, and Maria Josefina of Saxony, Louis XVI was born in 1754 and married Marie Antoinette of Austria in 1770. His father died without acceding to the throne and Louis succeeded his grandfather, Louis XV, in 1774. Arrested just prior to the proclamation of the French Republic, he was guillotined in 1793. Callet here follows Rigaud’s paintings of Louis XIV (Mus&

Alfonso II of Asturias
Oil on canvas. 1852
Roca y Delgado, Mariano de la
Alfonso II of Asturias
Oil on canvas. 1852
Roca y Delgado, Mariano de la

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Constantine’s Triumphal Entry in Rome
Oil on canvas. 1636 - 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano
Constantine’s Triumphal Entry in Rome
Oil on canvas. 1636 - 1638
Gargiulo, Domenico, Called Micco Spadaro; Codazzi, Viviano

This work and Vespasian’s Triumphal Entry in Rome (P237) are among the earliest examples of the collaboration between Domenico Gargiulo (also known as Micco Spadaro) and Viviano Codazzi, in which the former painted the figures and the latter, the architectural backgrounds. These two paintings were part of a group that also included Lanfranco’s depiction of an emperor’s triumphal entry into Rome: T

Sigeric
Oil on canvas. Ca. 1856
García Guerra, Eduardo
Sigeric
Oil on canvas. Ca. 1856
García Guerra, Eduardo

Sigeric was a Visigoth king for seven days in 415 AD. The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s ri

Ferdinand II of León
Oil on canvas. 1851
Lozano, Isidoro
Ferdinand II of León
Oil on canvas. 1851
Lozano, Isidoro

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

García I of León
Oil on canvas. Ca. 1852
Roca y Delgado, Mariano de la
García I of León
Oil on canvas. Ca. 1852
Roca y Delgado, Mariano de la

García I was the King of León ( ca. 870-914). The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereig

Alfonso XI of Castile
Oil on canvas. 1849
Cerdá de Villarestan, Francisco
Alfonso XI of Castile
Oil on canvas. 1849
Cerdá de Villarestan, Francisco

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Silo of Asturias
Oil on canvas. 1853
Cano de la Peña, Eduardo
Silo of Asturias
Oil on canvas. 1853
Cano de la Peña, Eduardo

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

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