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The Cardinal
Oil on panel. 1510 - 1511
Raphael (Raffaello Sanzio)
The Cardinal
Oil on panel. 1510 - 1511
Raphael (Raffaello Sanzio)

Since the moment when it was decided that the present work is by Raphael but that the sitter is not Antonio Granvela, art historians have expended considerable efforts on identifying the sitter.The mo [+]

The Virgin Appears to Juan Fort
Oil on canvas. 1632
Carducho, Vicente
The Virgin Appears to Juan Fort
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Scenes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]

Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: Last Judgement
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych [+]

The Madness of Joanna of Castile
Oil on canvas. 1866
Vallés, Lorenzo
The Madness of Joanna of Castile
Oil on canvas. 1866
Vallés, Lorenzo

This extraordinary historical painting -as appealing as it is disquieting- is one of the first and best examples of the fascination that Joanna of Castile (1479-1555) held for nineteenthcentury Spanis [+]

The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
The Crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]

Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny, Mariano
Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny, Mariano

This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]

Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de
Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de

In this image of Christ embracing the Cross, all of the elements converge to communicate suffering, sacrifice and resignation. In contrast to much visual iconography of the Passion, the Cross is repre [+]

Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la
Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la

This canvas and its pendant (P7930) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]

Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

The first documentation of Diego Velazquez´s Mars is from 1701-03, when it appeared in the inventory of paintings at the Torre de la Parada, the royal hunting pavilion on the outskirts of Madrid. The [+]

The Sense of Touch
Oil on canvas. 1632
Ribera, Jusepe de, lo Spagnoletto
The Sense of Touch
Oil on canvas. 1632
Ribera, Jusepe de, lo Spagnoletto

A poorly dressed blind man stands out against a dark background. With his hands, he touches a sculpted bust on a table that also bears a painting of a face. The work was signed by Jusepe de Ribera in [+]

Sculpted Grotesques with Flowers
Oil on canvas. 1670 - 1680
Corte, Gabriel de la
Sculpted Grotesques with Flowers
Oil on canvas. 1670 - 1680
Corte, Gabriel de la

This canvas and its pendant (P7929) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]

Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych [+]

Seated prophet or evangelist
Red chalk on paper. 1536 - 1540
Bandinelli, Baccio
Seated prophet or evangelist
Red chalk on paper. 1536 - 1540
Bandinelli, Baccio

Although the style of drawing is characteristic of Bandinelli, the majestic pose indeed echoes figures by Michelangelo on the Sistine ceiling, which he painted in 1508-1512. While the noble head and c [+]

Crouching Aphrodite
White marble. Mid-IIcentury
Roman Sculptor
Crouching Aphrodite
White marble. Mid-IIcentury
Roman Sculptor

Roman copy of a crouching Aphrodite who originally had both arms raised to shake her long hair with her hands. The copy is based on a late Hellenistic original created circa 100 B. C. in Rhodes which, [+]

Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous
Ivory Christ on a Rock Crystal Cross
Silver gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous

An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of e [+]

Youth with Swan
Carrara marble. 1808
Álvarez Cubero, José
Youth with Swan
Carrara marble. 1808
Álvarez Cubero, José

A handsome youth feeds a swan that he his holding by its neck. Intended as an ornamental piece, Álvarez combines his taste for the dynamic forms of Greek sculpture with the polished, matt finis [+]

The Empress Sabina
White marble. Ca. 130
Roman Sculptor
The Empress Sabina
White marble. Ca. 130
Roman Sculptor

This is the last portrait of Vibia Sabina (83-136 A. D.), wife of the emperor Hadrian. It does not represent her at her real age (some 48 years), but is a highly idealised and rejuvenated image. Her h [+]

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