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This canvas and its pendant (P7929) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]
The Redemption Triptych consists of three scenes. The central one shows Christ on the Cross, with the Virgin and Saint John under an archway with Gothic tracery leading to a church. In the archivolts [+]
The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]
Since the moment when it was decided that the present work is by Raphael but that the sitter is not Antonio Granvela, art historians have expended considerable efforts on identifying the sitter.The mo [+]
The Redemption Triptych (P1888, P1889 P1890, P1891, P1892) consists of three scenes. The central one shows Christ on the Cross, with the Virgin and Saint John under an archway with Gothic tracery lead [+]
This extraordinary historical painting -as appealing as it is disquieting- is one of the first and best examples of the fascination that Joanna of Castile (1479-1555) held for nineteenthcentury Spanis [+]
Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]
This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]
In this image of Christ embracing the Cross, all of the elements converge to communicate suffering, sacrifice and resignation. In contrast to much visual iconography of the Passion, the Cross is repre [+]
This canvas and its pendant (P7930) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]
On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]
The first documentation of Diego Velazquez´s Mars is from 1701-03, when it appeared in the inventory of paintings at the Torre de la Parada, the royal hunting pavilion on the outskirts of Madrid. The [+]
A poorly dressed blind man stands out against a dark background. With his hands, he touches a sculpted bust on a table that also bears a painting of a face. The work was signed by Jusepe de Ribera in [+]
Although the style of drawing is characteristic of Bandinelli, the majestic pose indeed echoes figures by Michelangelo on the Sistine ceiling, which he painted in 1508-1512. While the noble head and c [+]
This sculpture depicts one of Zeus’s nine daughters, considered in Greek mythology to protect and inspire the arts and sciences, including poetry, music, comedy, tragedy, dance and history. This Muse [+]
The refined features of this distinguished young man recall those of the Emperor Nerva (96-98 AD) and his hairstyle reflects that of the previous Emperor, Domitian (81-96 AD). But this head also has s [+]
This is a modern copy of a Roman portrait of a young man from the period of the Emperor Commodus (180-192 AD). While the beard recalls portraits of Hadrian (such as E-176 in the Prado) and others from [+]
This sculpture consists of a seventeenth-century head of Augustus and a torso of Augustus or Tiberius dating from the beginning of the first century A.D. This type of iconography, with a body based on [+]
