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Christ as the Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de
Christ as the Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de

In this image of Christ embracing the Cross, all of the elements converge to communicate suffering, sacrifice and resignation. In contrast to much visual iconography of the Passion, the Cross is repre [+]

The Virgin Appears to Juan Fort
Oil on canvas. 1632
Carducho, Vicente
The Virgin Appears to Juan Fort
Oil on canvas. 1632
Carducho, Vicente

On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]

Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y
Mars
Oil on canvas. Ca. 1638
Velázquez, Diego Rodríguez de Silva y

The first documentation of Diego Velazquez´s Mars is from 1701-03, when it appeared in the inventory of paintings at the Torre de la Parada, the royal hunting pavilion on the outskirts of Madrid. The [+]

Redemption Triptych: Adam and Eve Expulsed from Paradise
Oil on panel . Ca. 1450
Master Of The Prado Redemption
Redemption Triptych: Adam and Eve Expulsed from Paradise
Oil on panel . Ca. 1450
Master Of The Prado Redemption

The Redemption Triptych consists of three scenes. The central one shows Christ on the Cross, with the Virgin and Saint John under an archway with Gothic tracery leading to a church. In the archivolts [+]

The Cardinal
Oil on panel . 1510 - 1511
Raphael
The Cardinal
Oil on panel . 1510 - 1511
Raphael

Since the moment when it was decided that the present work is by Raphael but that the sitter is not Antonio Granvela, art historians have expended considerable efforts on identifying the sitter.The mo [+]

Redemption Triptych: Last Judgement
Oil on panel . Ca. 1450
Master Of The Prado Redemption
Redemption Triptych: Last Judgement
Oil on panel . Ca. 1450
Master Of The Prado Redemption

The Redemption Triptych (P01888, P01889 P01890, P01891, P01892) consists of three scenes. The central one shows Christ on the Cross, with the Virgin and Saint John under an archway with Gothic tracery [+]

The Madness of Joanna of Castile
Oil on canvas. 1866
Vallés, Lorenzo
The Madness of Joanna of Castile
Oil on canvas. 1866
Vallés, Lorenzo

This extraordinary historical painting -as appealing as it is disquieting- is one of the first and best examples of the fascination that Joanna of Castile (1479-1555) held for nineteenthcentury Spanis [+]

The crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
The crucified Christ
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

Stylistically, this work appears to have been made in the early 1630s -soon after the artist returned from Italy- and most authors date it from around 1632. The Apollonian perfection of the anatomy an [+]

Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny y Marsal, Mariano
Nude Old Man in the Sun
Oil on canvas. Ca. 1871
Fortuny y Marsal, Mariano

This work is an excellent example of the way in which an interest in the art of Spain´s Golden Age combines in Mariano Fortuny´s paintings with the close study of subjects made from life. Nude Old Man [+]

Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la
Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la

This canvas and its pendant (P7930) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]

The Sense of Touch
Oil on canvas. 1632
Ribera, José de
The Sense of Touch
Oil on canvas. 1632
Ribera, José de

A poorly dressed blind man stands out against a dark background. With his hands, he touches a sculpted bust on a table that also bears a painting of a face. The work was signed by Jusepe de Ribera in [+]

Sculpted Grotesques with Flowers
Oil on canvas. 1670 - 1680
Corte, Gabriel de la
Sculpted Grotesques with Flowers
Oil on canvas. 1670 - 1680
Corte, Gabriel de la

This canvas and its pendant (P7929) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]

Seated prophet or evangelist
Red chalk on paper. 1536 - 1540
Bandinelli, Baccio
Seated prophet or evangelist
Red chalk on paper. 1536 - 1540
Bandinelli, Baccio

Although the style of drawing is characteristic of Bandinelli, the majestic pose indeed echoes figures by Michelangelo on the Sistine ceiling, which he painted in 1508-1512. While the noble head and c [+]

Ivory Christ on a Rock Crystal Cross
Silver-gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous
Ivory Christ on a Rock Crystal Cross
Silver-gilt, Copper alloy, Rock crystal / hyaline quartz, Ivory. 1300 - 1330
Anonymous

An ivory Christ with copper arms that were probably added at a later date. The cross consists of various pieces of rock crystal joined by metal rods covered with painted parchment. The clasps are of e [+]

The Nymph Eurydice, Bitten by a Viper
Marble. 1865
Medina y Peñar, Sabino de
The Nymph Eurydice, Bitten by a Viper
Marble. 1865
Medina y Peñar, Sabino de

Eurydice, wife of the musician and poet Orpheus, was bitten by a viper and died of the wound. Her expression here, however, conveys no pain; she seems to be playing with the snake rather than receivin [+]

Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)
Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)

This full-length statue of the Emperor Tiberius (42BC to 37AD) is striking in its combination of materials, also found in other works by Cordier such as the Saint Agnes made for the Roman church of th [+]

Heroic Funerary Sculpture of a Boy
Marble. 80 - 110
Roman Sculptor
Heroic Funerary Sculpture of a Boy
Marble. 80 - 110
Roman Sculptor

The boy is depicted as a victorious athlete, with a foliate wreath on his head. His right arm was originally bent, his hand touching the wreath. He has individualised features and a hairstyle typical [+]

Portrait of a Young Man
White marble. 1570 - 1600
Roman Sculptor
Portrait of a Young Man
White marble. 1570 - 1600
Roman Sculptor

This is a modern copy of a Roman portrait of a young man from the period of the Emperor Commodus (180-192 AD). While the beard recalls portraits of Hadrian (such as E-176 in the Prado) and others from [+]

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